Staging the Social Drama of Work: Ethnography of a Theater Company as a Means of Analyzing Theater Activity
DOI:
https://doi.org/10.18778/1733-8077.3.3.06Keywords:
Theater ethnography, Collective activity, Division of labor, Tasks, Social roles, Service relationship, CommitmentAbstract
This paper shows how conducting the ethnographic study of a theater hall and company can help define theater activity. Once the aesthetic of the social organization is set apart from the proper division of labor, theater appears as a collective activity which requires the cooperation of eight groups playing different social roles. The cooperation modes rest on a meshing of direct or indirect services for the actors who carry out the core task of performing. This specific organization of work around a central group is what makes the activity artistic. Simultaneously, the service relation offers the possibility for some categories to bring their relationship with actors closer to a state of symmetry and sometimes reverse asymmetry. As a status enhancing opportunity, service relationship for actors also directly or indirectly provide the grounds for participant commitment and thus guarantee long-lasting operation for the theatrical organization.
Downloads
References
Anderson, Elijah (1999) “The Social Situation of the Black Executive: Black and White Identities in the Corporate World.” Pp 3-29 in The Cultural Territories of Race edited by Michèle Lamont Chicago: The University of Chicago Press.
Google Scholar
Becker, Howard S. (1960) “Notes on the Concept of Commitment.” The American Journal of Sociology, 66: 32-40.
Google Scholar
DOI: https://doi.org/10.1086/222820
Becker, Howard S. (1973 [1963]) Outsiders, Studies in the Sociology of Deviance. New York: The Free Press.
Google Scholar
Becker, Howard S. (1982) Art Worlds. Berkeley, Los Angeles, London : University of California Press.
Google Scholar
Becker, Howard S. (2004) “Jazz Places.” Pp 17-27 in Music Scenes: Local, Translocal, and Virtual edited by Andy Bennett and Richard A. Peterson Nashville: Vanderbilt University Press.
Google Scholar
DOI: https://doi.org/10.2307/j.ctv17vf74v.6
Becker, Howard, S., McCall Michal, and Lori V. Morris (1989) “Theatres and Communities: Three scenes.” Social Problems 36 (2): 93-116.
Google Scholar
DOI: https://doi.org/10.2307/800802
Bense Ferreira Alves, Celia (2005) Travail théâtral. Unpublished PhD dissertation, Department of Sociology, Université Paris 8, Paris.
Google Scholar
Bense Ferreira Alves, Celia (2006) Précarité en échange, Enquête sur l’implication au travail. Éd. Aux lieux d’être, Paris.
Google Scholar
Bense Ferreira Alves, Celia and Frédéric Poulard (2007) “Travailler dans les institutions culturelles.” Sociétés contemporaines 66.
Google Scholar
DOI: https://doi.org/10.3917/soco.066.0005
Bigus, Odis (1972) “The Milkman and his Customer: a Cultivated Relationship.” Urban Life and Culture 1(2): 131-165.
Google Scholar
DOI: https://doi.org/10.1177/089124167200100201
Blumer, Herbert (1998 [1969]) Symbolic Interactionism, Perspective and Method. Berkeley, Los Angeles, London: University of California Press.
Google Scholar
Burawoy, Michael (1982 [1979]) Manufacturing Consent, Changes in the Labor Process under Monopoly Capitalism. Chicago : The University of Chicago Press.
Google Scholar
DOI: https://doi.org/10.7208/chicago/9780226217710.001.0001
Crozier, Michel and Erhart Friedberg (1981 [1977]) L’acteur et le système, les contraintes de l’action collective. Paris: Éditions du Seuil.
Google Scholar
Deutscher, Irwin (1968) “The Gatekeeper in Public Housing.” Pp.38-52 in Among the People: Encounters with the Poor edited by I. Deutscher and E. J. Thompson New York: Basic Books.
Google Scholar
Dewey, John (2005 [1934]) Art as Experience. New York: Perigee.
Google Scholar
Faulkner, Robert, R. and Andy B. Anderson (1987) “Short-Term Projects and Emergent Careers: Evidence from Hollywood.” American Journal of Sociology 92: 879-909.
Google Scholar
DOI: https://doi.org/10.1086/228586
Gilmore, Samuel (1990) “Art Worlds: Developing the Interactionist Approach to Social Organization.” Pp. 148-178 in Symbolic Interaction and Cultural Studies edited by Howard S. Becker and Michal McCall Chicago and London: The University of Chicago Press.
Google Scholar
DOI: https://doi.org/10.7208/chicago/9780226041056.003.0007
Goffman, Erving (1959) The Presentation of Self in Everyday Life. New York: Doubleday Anchor Books.
Google Scholar
Gold, Ray (1952) “Janitors versus Tenants : A Status-Income Dilemma.” American Journal of Sociology LVII(5): 486 - 493.
Google Scholar
DOI: https://doi.org/10.1086/221017
Hughes, Everett C. (1993 [1971]) The Sociological Eye, Selected Papers. New introduction by David Riesman and Howard S. Becker. New Brunswick and London : Transaction Publishers.
Google Scholar
Jeantet, Aurélie (2003) “À votre service ! La relation de service comme rapport social.” Sociologie du travail 45: 191 - 209.
Google Scholar
DOI: https://doi.org/10.1016/S0038-0296(03)00014-1
Katz, Serge (2006) “Quand savoir-faire c’est savoir-être. L’élève comédien à l’épreuve de la perception professionnelle de son corps.” Pp. 49-70 in L’accès à la vie d’artiste. Sélection et consécration artistiques edited by Gérard Mauger Broissieux: Éditions du Croquant.
Google Scholar
Leidner, Robin (1993) Fast Food, Fast Talk. Service Work and the Routinization of Everyday Life. Berkeley: University of California Press.
Google Scholar
Lipsky, Michael (1983 [1980]) Street-Level Bureaucracy. Dilemmas of the individual in Public Places. New York: Russel Sage Foundation.
Google Scholar
Lyon, Eleanor J. (1975) Behind the Scenes: the Organization of Theatrical Production. Unpublished PhD dissertation, Department of Sociology, Northwestern University, Evanston.
Google Scholar
Menger, Pierre-Michel (1991) „Marché du travail et socialisation du risque.“ Revue française de sociologie XXXII: 61 - 74.
Google Scholar
DOI: https://doi.org/10.2307/3322356
Menger, Pierre-Michel (1997) La profession de comédien. Formations, activités et carrières dans la démultiplication de soi. Paris: Ministère de la Culture et de la Communication, DAG, Département des études et de la prospective.
Google Scholar
Menger, Pierre-Michel (2002) Portrait de l’artiste en travailleur, Métamorphoses du capitalisme. Paris: Éditions du Seuil.
Google Scholar
Menger, Pierre-Michel (2005) Les intermittents du spectacle, sociologie d’une exception. Paris: Éd. De l’École des Hautes Études en sciences sociales.
Google Scholar
Proust, Serge (2001) “Une nouvelle figure de l’artiste : le metteur en scène de théâtre.” Sociologie du travail 43(4) : 471-489.
Google Scholar
DOI: https://doi.org/10.1016/S0038-0296(01)01176-1
Proust, Serge (2003) “La communauté théâtrale. Entreprises théâtrales et ideal de la troupe.” Revue française de sociologie, 44 (1): 93-113.
Google Scholar
DOI: https://doi.org/10.3917/rfs.441.0093
Roth, Julius A. (1971) “Some contingencies of the Moral Evaluation and Control of Clientele: the Case of the Hospital Emergency Service.” The American Journal of Sociology 77 (5): 45-63.
Google Scholar
DOI: https://doi.org/10.1086/225227
Schelling, Thomas C. (1956) “An Essay on Bargaining.” American Economic Review 46 June: 281 – 306.
Google Scholar
Strauss, Anselm (1985) “Work and the Divison of Labor.” Sociological Quarterly 26 (1): 1 - 19.
Google Scholar
DOI: https://doi.org/10.1111/j.1533-8525.1985.tb00212.x
Strauss Anselm, Shizuko Fagerhaugh, Barbara Suczek and Carolyn Wiener (1985) The Social Organization of Medical Work. Chicago: University of Chicago Press.
Google Scholar
Verdalle, Laure de (2003) “Les dramaturges est-allemands et la Réunification: changement organisationnel et renouveau des identités professionnelles.”, Revue française de sociologie 44 (1): 115-138.
Google Scholar
DOI: https://doi.org/10.3917/rfs.441.0115
Weber, Florence (2000) “Transactions marchandes, échanges rituels, relations personnelles.” Genèses 41 décembre: 85 - 107.
Google Scholar
DOI: https://doi.org/10.3406/genes.2000.1649
Weber, Max (1993 [1922]) The Sociology of Religion. Introduction by Talcott Parsons, Foreword by Ann Swidler. Boston: Beacon Press.
Google Scholar
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.