No. 10 (2020): Literature Goes Pop / Literar(t)y Matters

View No. 10 (2020): Literature Goes Pop / Literar(t)y Matters

Edited by Dorota Filipczak

Increase in the contribution of foreign reviewers in the assessment of articles submitted for publication in the yearly “Text Matters. A Journal of Literature, Theory and Culture” – financed under Agreement No. 605/P-DUN/2019 12.06.2019 with funds provided by the Ministry of Science and Higher Education for activities popularising science.

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Published: 2020-11-24

Full Issue

Articles

  • L’homme agissant and Self-understanding: Pamela Sue Anderson on Capability and Vulnerability

    Małgorzata Hołda
    7-24
    DOI: https://doi.org/10.18778/2083-2931.10.01

  • IT’S ABOUT TIME: Trying an Essay Film

    Mieke Bal
    27-48
    DOI: https://doi.org/10.18778/2083-2931.10.02

  • Dalí, Disney and Destino: Alchemy in Animation

    David Allen
    49-66
    DOI: https://doi.org/10.18778/2083-2931.10.03

  • Made to Connive: Revisioning Cinderella in a Music Video. From Disney to Arthur Pirozkhov: A Case Study

    Dorota Filipczak
    67-78
    DOI: https://doi.org/10.18778/2083-2931.10.04

  • Camp and Pop: David Bowie, Oskar Schlemmer, Madonna and Janelle Monáe

    Kathrin Dreckmann
    79-92
    DOI: https://doi.org/10.18778/2083-2931.10.05

  • Cowboy Cops and Black Lives Matter: Three Billboards Outside Ebbing, Missouri and the Great White West[ern]

    Debbie Olson
    93-117
    DOI: https://doi.org/10.18778/2083-2931.10.06

  • Representing Absence: Contemporary Ekphrasis in “Apesh-t”

    Agata Handley
    118-134
    DOI: https://doi.org/10.18778/2083-2931.10.07

  • Journeys of Becoming: Hair, the Blogosphere and Theopoetics in Chimamanda Ngozi Adichie’s Americanah

    Fiona Darroch
    135-150
    DOI: https://doi.org/10.18778/2083-2931.10.08

  • In the Universe of Cassandra: The Ancient Topos of Clairvoyance in the Futuristic World of Minority Report (2002)

    Małgorzata Budzowska
    151-165
    DOI: https://doi.org/10.18778/2083-2931.10.09

  • “No Direction Home”: The Life and Literature of Bob Dylan–From “Desolation Row” to the Nobel Prize

    Liam Gearon
    166-181
    DOI: https://doi.org/10.18778/2083-2931.10.10

  • Billy Woods’s Literary Intertexts

    Jožef Kolarič
    182-193
    DOI: https://doi.org/10.18778/2083-2931.10.11

  • Stranger Than Fiction: Gothic Intertextuality in Shakespears Sister’s Music Videos

    Tomasz Fisiak
    194-208
    DOI: https://doi.org/10.18778/2083-2931.10.12

  • Metanarratives and Storytelling in Contemporary Mainstream Popular Music: Romeo and Juliet in the Making of the Star Persona

    Eduardo Viñuela
    209-222
    DOI: https://doi.org/10.18778/2083-2931.10.13

  • Taking Horror as You Find It: From Found Manuscripts to Found Footage Aesthetics

    Tomasz Sawczuk
    223-235
    DOI: https://doi.org/10.18778/2083-2931.10.14

  • The Consumptive Significance of Images and Interface Values in Cyberpunk Cities

    Hossein Mohseni, Kian Soheil
    236-256
    DOI: https://doi.org/10.18778/2083-2931.10.15

  • The Death of Language: Listening to the Echoes (of Georges Bataille) in "Star Wars: Knights of the Old Republic II—The Sith Lords"

    Marcin Hanuszkiewicz
    257-273
    DOI: https://doi.org/10.18778/2083-2931.10.16

  • Online Humour, Cartoons, Videos, Memes, Jokes and Laughter in the Epoch of the Coronavirus

    Christine Nicholls
    274-318
    DOI: https://doi.org/10.18778/2083-2931.10.17

  • Sensorial Aesthetics: Cross-Modal Stylistics in Modernist Fiction

    Niklas Salmose
    321-335
    DOI: https://doi.org/10.18778/2083-2931.10.18

  • Between Poetic Voice and Silence: Hart Crane, Yvor Winters, Metapoetics and Emily Dickinson’s Legacy

    Alicja Piechucka
    336-363
    DOI: https://doi.org/10.18778/2083-2931.10.19

  • “Our Eyes Adjust to the Dark”: The Cosmic Sublime in Tracy K. Smith’s Life on Mars

    Paulina Ambroży
    364-391
    DOI: https://doi.org/10.18778/2083-2931.10.20

  • “By [some] other means”: Talking (about) Racism and Race through Visual Arts in Claudia Rankine’s Citizen. An American Lyric

    Jerzy Kamionowski
    392-407
    DOI: https://doi.org/10.18778/2083-2931.10.21

  • Frances Wright’s America: A 19th-Century Utopia

    Justyna Fruzińska
    408-422
    DOI: https://doi.org/10.18778/2083-2931.10.22

  • The Poetic Bliss of the Re-described Reality: Wallace Stevens: Poetry, Philosophy, and the Figurative Language

    Małgorzata Hołda
    423-432
    DOI: https://doi.org/10.18778/2083-2931.10.23

  • Systemic Intertextuality. A Morphogenetic Perspective

    Tomasz Burzyński
    433-445
    DOI: https://doi.org/10.18778/2083-2931.10.24

  • “Sardoodledom” on the English Stage: T. W. Robertson and the Assimilation of Well-Made Play into the English Theatre

    Anna Prośniak
    446-459
    DOI: https://doi.org/10.18778/2083-2931.10.25

  • Wartime Propaganda and Gender in Ahmad Mahmoud’s The Scorched Earth: A Dissident Reading

    Ramin Farhadi
    460-476
    DOI: https://doi.org/10.18778/2083-2931.10.26