No. 6 (2016): Gothic Matters

View No. 6 (2016): Gothic Matters

Edited by Agnieszka Soltysik Monnet

Published: 2016-11-23

Full Issue

Articles

  • The Monk by M. G. Lewis: Revolution, Religion and the Female Body

    Agnieszka Łowczanin
    15-34
    DOI: https://doi.org/10.1515/texmat-2016-0002

  • Mary Shelley’s Frankenstein, the Guillotine, and Modern Ontological Anxiety

    Kristen Lacefield
    35-52
    DOI: https://doi.org/10.1515/texmat-2016-0003

  • Haunting Transcendentalist Landscapes: EcoGothic Politics in Margaret Fuller’s Summer on the Lakes

    Monika Elbert
    53-73
    DOI: https://doi.org/10.1515/texmat-2016-0004

  • Here Be Monsters: Imperialism, Knowledge and the Limits of Empire

    Karen E. Macfarlane
    74-95
    DOI: https://doi.org/10.1515/texmat-2016-0005

  • The Tell-Tale Hand: Gothic Narratives and the Brain

    Neil Forsyth
    96-113
    DOI: https://doi.org/10.1515/texmat-2016-0006

  • Nick Joaquin’s Cándido’s Apocalypse: Re-imagining the Gothic in a Postcolonial Philippines

    Marie Rose B. Arong
    114-126
    DOI: https://doi.org/10.1515/texmat-2016-0007

  • Gothic Matters of De-Composition: The Pastoral Dead in Contemporary American Fiction

    John Armstrong
    127-143
    DOI: https://doi.org/10.1515/texmat-2016-0008

  • Gothic Trouble: Cormac McCarthy’s The Road and the Globalized Order

    Marie Liénard-Yeterian
    144-158
    DOI: https://doi.org/10.1515/texmat-2016-0009

  • “It’s not just a dream. There is a storm coming!”: Financial Crisis, Masculine Anxieties and Vulnerable Homes in American Film

    Glen Donnar
    159-176
    DOI: https://doi.org/10.1515/texmat-2016-0010

  • Boy Melodrama: Genre Negotiations and Gender-Bending in the Supernatural Series

    Agata Łuksza
    177-194
    DOI: https://doi.org/10.1515/texmat-2016-0011

  • Wendigos, Eye Killers, Skinwalkers: The Myth of the American Indian Vampire and American Indian “Vampire” Myths

    Corinna Lenhardt
    195-212
    DOI: https://doi.org/10.1515/texmat-2016-0012

  • Transgression of Postindustrial Dissonance and Excess: (Re)valuation of Gothicism in Jim Jarmusch’s Only Lovers Left Alive

    Justyna Stępień
    213-226
    DOI: https://doi.org/10.1515/texmat-2016-0013

  • In the Flesh and the Gothic Pharmacology of Everyday Life; or Into and Out of the Gothic

    Barry Murnane
    227-244
    DOI: https://doi.org/10.1515/texmat-2016-0014

  • Images of Trebizond and the Pontos in Contemporary Literature in English with a Gothic Conclusion

    Małgorzata Dąbrowska
    247-263
    DOI: https://doi.org/10.1515/texmat-2016-0015

  • Intertextual Illuminations: “The Lighthouse Keeper of Aspinwall” by Henryk Sienkiewicz in Malcolm Lowry’s “Through the Panama”

    Dorota Filipczak
    264-275
    DOI: https://doi.org/10.1515/texmat-2016-0016

  • On (Not) Being Milton: Tony Harrison’s Liminal Voice

    Agata G. Handley
    276-290
    DOI: https://doi.org/10.1515/texmat-2016-0017

Other

  • Gothic Matters: Introduction

    Agnieszka Soltysik Monnet
    7-14
    DOI: https://doi.org/10.1515/texmat-2016-0001

  • Reviews and Interviews

    Tomasz Fisiak, Wit Pietrzak, Antoni Górny, Krzysztof Majer, Bill Gaston, Uilleam Blacker, Joanna Kosmalska
    293-319
    DOI: https://doi.org/10.1515/texmat-2016-0018