No. 1 (2011): Women and Authority / Word Image Sound

View No. 1 (2011): Women and Authority / Word Image Sound

Edited by Dorota Filipczak

Published: 2011-11-23

Full Issue

Articles

  • Michèle Le Doeuff's "Primal Scene": Prohibition and Confidence in the Education of a Woman

    Pamela Sue Anderson
    11-26
    DOI: https://doi.org/10.2478/v10231-011-0002-y

  • "Alternative Selves" and Authority in the Fiction of Jane Urquhart

    Dorota Filipczak
    27-43
    DOI: https://doi.org/10.2478/v10231-011-0003-x

  • Who Are You, Mrs Walter Shandy, Aberratio Naturae?

    Agnieszka Łowczanin
    44-60
    DOI: https://doi.org/10.2478/v10231-011-0004-9

  • Michèle Roberts: Female Genius and the Theology of an English Novelist

    Alison Jasper
    61-75
    DOI: https://doi.org/10.2478/v10231-011-0005-8

  • "Of all creatures women be best, / Cuius contrarium verum est": Gendered Power in Selected Late Medieval and Early Modern Texts

    Joanna Kazik
    76-91
    DOI: https://doi.org/10.2478/v10231-011-0006-7

  • "Initium ut esset, creatus est homo": Iris Murdoch on Authority and Creativity

    Marije Altorf
    92-105
    DOI: https://doi.org/10.2478/v10231-011-0007-6

  • Let Rhoda Speak Again: Identity, Uncertainty, and Authority in Virginia Woolf’s The Waves

    Małgorzata Myk
    106-122
    DOI: https://doi.org/10.2478/v10231-011-0008-5

  • Woman and Authority in Ian McEwan’s “Conversation with a Cupboard Man” and Its Film Adaptation

    Adam Sumera
    123-134
    DOI: https://doi.org/10.2478/v10231-011-0009-4

  • Inner Strength of Female Characters in Loitering with Intent and The Public Image by Muriel Spark

    Monika Rogalińska
    135-144
    DOI: https://doi.org/10.2478/v10231-011-0010-y

  • The Poet’s “Caressive Sight:” Denise Levertov’s Transactions with Nature

    Małgorzata Poks
    145-152
    DOI: https://doi.org/10.2478/v10231-011-0011-x

  • Women’s Power To Be Loud: The Authority of the Discourse and Authority of the Text in Mary Dorcey’s Irish Lesbian Poetic Manifesto “Come Quietly or the Neighbours Will Hear”

    Katarzyna Poloczek
    153-169
    DOI: https://doi.org/10.2478/v10231-011-0012-9

  • Writing About a Woman Writer’s Writing: On Gender Identification(s) and Being a Male Critic of Carol Shields’s Work

    Alex Ramon
    170-182
    DOI: https://doi.org/10.2478/v10231-011-0013-8

  • Feminist Auto/biography as a Means of Empowering Women: A Case Study of Sylvia Plath’s The Bell Jar and Janet Frame’s Faces in the Water

    Tomasz Fisiak
    183-197
    DOI: https://doi.org/10.2478/v10231-011-0014-7

  • Memoir and the Re-reading of Fiction: Rudy Wiebe’s of this earth and Peace Shall Destroy Many

    Paul Tiessen
    201-215
    DOI: https://doi.org/10.2478/v10231-011-0015-6

  • The Artist and Religion in the Contemporary World

    David Jasper
    216-227
    DOI: https://doi.org/10.2478/v10231-011-0016-5

  • The Hidden Gaze of the Other in Michael Haneke’s Hidden

    Tomasz Dobrogoszcz
    228-240
    DOI: https://doi.org/10.2478/v10231-011-0017-4

  • The Use of Ulster Speech by Michael Longley and Tom Paulin

    Joanna Kruczkowska
    241-253
    DOI: https://doi.org/10.2478/v10231-011-0018-3

  • One, Mad Hornpipe: Dance as a Tool of Subversion in Brian Friel’s Molly Sweeney

    Katarzyna Ojrzyńska
    254-269
    DOI: https://doi.org/10.2478/v10231-011-0019-2

  • Dichotomous Images in McEwan’s Saturday: In Pursuit of Objective Balance

    Joanna Kosmalska
    270-277
    DOI: https://doi.org/10.2478/v10231-011-0020-9

Other

  • Editorial

    Dorota Filipczak
    6-8
    DOI: https://doi.org/10.2478/v10231-011-0001-z

  • Reviews and Interviews / Contributors

    Agnieszka Salska, Richard Profozich, Grzegorz Kość, Teresa Podemska-Abt, Jared Thomas, Alison Jasper, Pamela Anderson
    281-335
    DOI: https://doi.org/10.2478/v10231-011-0021-8