No. 1 (2011): Women and Authority / Word Image Sound

Edited by Dorota Filipczak

Published: 2011-11-23

Full Issue

Articles

Michèle Le Doeuff's "Primal Scene": Prohibition and Confidence in the Education of a Woman

Pamela Sue Anderson

11-26
- PDF
"Alternative Selves" and Authority in the Fiction of Jane Urquhart

Dorota Filipczak

27-43
- PDF
Who Are You, Mrs Walter Shandy, Aberratio Naturae?

Agnieszka Łowczanin

44-60
- PDF
Michèle Roberts: Female Genius and the Theology of an English Novelist

Alison Jasper

61-75
- PDF
"Of all creatures women be best, / Cuius contrarium verum est": Gendered Power in Selected Late Medieval and Early Modern Texts

Joanna Kazik

76-91
- PDF
"Initium ut esset, creatus est homo": Iris Murdoch on Authority and Creativity

Marije Altorf

92-105
- PDF
Let Rhoda Speak Again: Identity, Uncertainty, and Authority in Virginia Woolf’s The Waves

Małgorzata Myk

106-122
- PDF
Woman and Authority in Ian McEwan’s “Conversation with a Cupboard Man” and Its Film Adaptation

Adam Sumera

123-134
- PDF
Inner Strength of Female Characters in Loitering with Intent and The Public Image by Muriel Spark

Monika Rogalińska

135-144
- PDF
The Poet’s “Caressive Sight:” Denise Levertov’s Transactions with Nature

Małgorzata Poks

145-152
- PDF
Women’s Power To Be Loud: The Authority of the Discourse and Authority of the Text in Mary Dorcey’s Irish Lesbian Poetic Manifesto “Come Quietly or the Neighbours Will Hear”

Katarzyna Poloczek

153-169
- PDF
Writing About a Woman Writer’s Writing: On Gender Identification(s) and Being a Male Critic of Carol Shields’s Work

Alex Ramon

170-182
- PDF
Feminist Auto/biography as a Means of Empowering Women: A Case Study of Sylvia Plath’s The Bell Jar and Janet Frame’s Faces in the Water

Tomasz Fisiak

183-197
- PDF
Memoir and the Re-reading of Fiction: Rudy Wiebe’s of this earth and Peace Shall Destroy Many

Paul Tiessen

201-215
- PDF
The Artist and Religion in the Contemporary World

David Jasper

216-227
- PDF
The Hidden Gaze of the Other in Michael Haneke’s Hidden

Tomasz Dobrogoszcz

228-240
- PDF
The Use of Ulster Speech by Michael Longley and Tom Paulin

Joanna Kruczkowska

241-253
- PDF
One, Mad Hornpipe: Dance as a Tool of Subversion in Brian Friel’s Molly Sweeney

Katarzyna Ojrzyńska

254-269
- PDF
Dichotomous Images in McEwan’s Saturday: In Pursuit of Objective Balance

Joanna Kosmalska

270-277
- PDF

Other

Editorial

Dorota Filipczak

6-8
- PDF
Reviews and Interviews / Contributors

Agnieszka Salska, Richard Profozich, Grzegorz Kość, Teresa Podemska-Abt, Jared Thomas, Alison Jasper, Pamela Anderson

281-335
- PDF

No. 1 (2011): Women and Authority / Word Image Sound

Full Issue

Articles

Michèle Le Doeuff's "Primal Scene": Prohibition and Confidence in the Education of a Woman

"Alternative Selves" and Authority in the Fiction of Jane Urquhart

Who Are You, Mrs Walter Shandy, Aberratio Naturae?

Michèle Roberts: Female Genius and the Theology of an English Novelist

"Of all creatures women be best, / Cuius contrarium verum est": Gendered Power in Selected Late Medieval and Early Modern Texts

"Initium ut esset, creatus est homo": Iris Murdoch on Authority and Creativity

Let Rhoda Speak Again: Identity, Uncertainty, and Authority in Virginia Woolf’s The Waves

Woman and Authority in Ian McEwan’s “Conversation with a Cupboard Man” and Its Film Adaptation

Inner Strength of Female Characters in Loitering with Intent and The Public Image by Muriel Spark

The Poet’s “Caressive Sight:” Denise Levertov’s Transactions with Nature

Women’s Power To Be Loud: The Authority of the Discourse and Authority of the Text in Mary Dorcey’s Irish Lesbian Poetic Manifesto “Come Quietly or the Neighbours Will Hear”

Writing About a Woman Writer’s Writing: On Gender Identification(s) and Being a Male Critic of Carol Shields’s Work

Feminist Auto/biography as a Means of Empowering Women: A Case Study of Sylvia Plath’s The Bell Jar and Janet Frame’s Faces in the Water

Memoir and the Re-reading of Fiction: Rudy Wiebe’s of this earth and Peace Shall Destroy Many

The Artist and Religion in the Contemporary World

The Hidden Gaze of the Other in Michael Haneke’s Hidden

The Use of Ulster Speech by Michael Longley and Tom Paulin

One, Mad Hornpipe: Dance as a Tool of Subversion in Brian Friel’s Molly Sweeney

Dichotomous Images in McEwan’s Saturday: In Pursuit of Objective Balance

Other

Editorial

Reviews and Interviews / Contributors

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