Book Reviews

Autor

  • Weijian Lin School of International Studies, Zhejiang University, China image/svg+xml
  • Xiaoye Dong School of Foreign Languages, Northeast Forestry University, China image/svg+xml
  • Yao Yao School of International Studies, Zhejiang University, China image/svg+xml
  • Jiao Min Faculty of English Language and Culture, Guangdong University of Foreign Studies, China image/svg+xml
  • Yu Sun School of Foreign Languages, Northeast Forestry University, China image/svg+xml
  • Jiaqing Shi School of Foreign Languages, Northeast Forestry University, China image/svg+xml

DOI:

https://doi.org/10.18778/2083-8530.29.13
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Biogramy autorów

Weijian Lin - School of International Studies, Zhejiang University, China

is a Ph.D. student in the School of International Studies, Zhejiang University, China. His research focuses on English Renaissance poetry. He has published a Chinese paper in the Journal of Hebei North University (2019) and finished his M.A. thesis on Milton’s Paradise Lost (2020).

Xiaoye Dong - School of Foreign Languages, Northeast Forestry University, China

is a professor in the School of Foreign Studies, Northeast Forestry University, Harbin, China. Her research interests cover Chinese American literature and narratology. Her recent publications include the Chinese paper in Fudan Forum on Foreign Languages and Literature (2023).

Yao Yao - School of International Studies, Zhejiang University, China

is a probationary employee at Jiangxi Academy of Governance, China. She earned her Ph.D. from the School of International Studies, Zhejiang University. Her research focuses on medieval English drama. Her recent publications include “From Ritual to Moral Elevation: The Essence of Medieval English Morality Plays” in Forum for World Literature Studies (2023).

Jiao Min - Faculty of English Language and Culture, Guangdong University of Foreign Studies, China

is a professor in the faculty of English Language and Culture, Guangdong University of Foreign Studies, China. Her research focuses on Shakespearean studies. Her recent publications include the English monograph Hermeneutic Shakespeare (Routledge, 2023).

Yu Sun - School of Foreign Languages, Northeast Forestry University, China

is an associate professor in the College of Foreign Languages, Northeast Forestry University, Harbin, China. Her research interests cover comparative literature and Shakespeare studies. Her recent publications include the Chinese monograph English Translations of Mo Yan’s Works by Howard Goldblatt in the Perspective of Cultural Translation (Central Compilation and Translation Press, 2019).

Jiaqing Shi - School of Foreign Languages, Northeast Forestry University, China

is an M.A. student in the College of Foreign Languages, Northeast Forestry University, Harbin, China. Her research interests cover Shakespeare and comparative literature studies.

Bibliografia

Bao, Huiyi.《镜迷宫:莎士比亚十四行诗的世界》[Mirror Maze: The World of Shakespeare’s Sonnets]. Shanghai: East China Normal University Press, 2023.
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Chiu, Chin-jung. “In Search of Shakespeare via His Sonnets—A Pedagogical Travelogue.” Medieval and Renaissance Studies 6. Ed. Tianhu Hao. Hangzhou: Zhejiang University Press, 2022. 125-137.
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Chiu, Chin-jung 邱锦荣. “In Search of Shakespeare via His Sonnets: A Pedagogical Travelogue” 与莎士比亚的际遇:十四行诗的教学志. Medieval and Renaissance Studies 6 《中世纪与文艺复兴研究(六)》 (2022): 125-137.
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Spîsiaková, Eva. Queering Translation History: Shakespeare’s Sonnets in Czech and Slovak Transformations. London: Routledge, 2021.
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Trivedi, Poonam, Paromita Chakravarti, and Ted Motohashi, eds. Asian Interventions in Global Shakespeare: “All the World’s His Stage.” London: Routledge, 2021.
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Wang, Ning 王宁. “Shakespearean Plays as World Theater” 作为世界戏剧的莎士比亚剧作. Medieval and Renaissance Studies 7 《中世纪与文艺复兴研究(七)》 (2022): 3-20.
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Liu, Fang. “Cross-Dressing in Chinese and Western Drama—An Analysis of Shakespeare’s ‘The Merchant of Venice’ and Yue Opera ‘Meng Lijun’” 中西戏 剧中的“女扮男装”——以莎剧《威尼斯商人》与越剧《孟丽君》为例. Drama Literature《戏剧文学》, 10 (2014): 86-90.
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Spivack, Bernard. Shakespeare and the Allegory of Evil—The History of a Metaphor in Relation to His Major Villains. New York, London: Columbia University Press and Oxford University Press, 1958.
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Yang, Lingui. “Chinese Narrative in World Shakespeare: General Editor’s Preface to ‘Shakespeare Studies Series’” 世界莎学中国叙事——“莎士比亚研究丛书” 第二系列总主编前言. Medieval and Renaissance Studies 7 《中世纪与文艺 复兴研究(七)》(2022): 167-175.
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Zeng, Yanbing. “On Women Disguised as Men in Shakespeare’s Comedies” 论莎士比 亚喜剧中的女扮男装. Medieval and Renaissance Studies 8 《中世纪与文艺 复兴研究(八)》(2023): 104-125.
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Zhao, Yiheng. “How Shakespeare Tells Stor —Preface to Cheng Li’s A Narratological Study of Shakespearean Drama” 莎士比亚如何讲故事——成立《莎士比亚 戏剧的叙述学研究》序. In Cheng Li’s A Narratological Study of Shakespearean Drama. Chengdu: Bashu Publishing House, 2021. 1-4.
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Lamb, Charles and Mary Lamb. Yin Bian Yan Yv. Trans. Shu Lin and Yi Wei. Beijing: The Commercial Press, 1981.
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Li, Ruru. Shashibiya: Staging Shakespeare in China. Hong Kong: Hong Kong University Press, 2003.
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Tang, Renfang. “A Pioneering English Monograph on Staging Shakespeare in China” 莎 士比亚中国舞台演出研究领域的一本英文先驱之作. Medieval and Renaissance Studies 1《中世纪与文艺复兴研究(一)》(2019): 334-344.
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Wang, Ning. “Shakespearean Plays as World Theatre” 作为世界戏剧的莎士比亚剧作. Medieval and Renaissance Studies 7 《中世纪与文艺复兴研究(七)》 (2022): 3-20.
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Zeng, Yanbing. “On Cross-dressing in Shakespeare’s Plays” 论莎士比亚戏剧中的女扮 男装. Medieval and Renaissance Studies 8 《中世纪与文艺复兴研究(八)》 (2023): 104-125.
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Wang, Ning 王宁. “Shakespearean Plays as World Theater” 作为世界戏剧的莎士比亚 剧作. Medieval and Renaissance Studies 7 《中世纪与文艺复兴研究(七)》 (2022): 3-20.
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Yang, Linggui, and Lu Chenyi 杨林贵, 卢陈怡. “Tragedy of Identity Switches: Fantasies and Anxieties of Boundary Crossing in Othello.” 身份转换的悲剧: 《奥赛罗》中越界的幻想与焦虑. Medieval and Renaissance Studies 9 《中 世纪与文艺复兴研究(九)》(2023): 147-165.
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Yoshihara, Yukari. “Toward ‘Reciprocal Legitimation’ between Shakespeare’s Works and Manga.” Multicultural Shakespeare 14.1 (2016): 107-122.
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Opublikowane

2024-09-18

Jak cytować

Lin, W., Dong, X., Yao, Y., Min, J., Sun, Y., & Shi, J. (2024). Book Reviews. Multicultural Shakespeare: Translation, Appropriation and Performance, 29(44), 217–246. https://doi.org/10.18778/2083-8530.29.13

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