King John in the “Vormärz”: Worrying Politics and Pathos

Authors

  • Robert Gillett Queen Mary University of London

DOI:

https://doi.org/10.18778/2083-8530.19.04

Keywords:

Brexit, Europe, Reception, Germany, Politics, Nationalism

Abstract

This article picks up on a tendency of recent criticism to look to Shakespeare for insights into contemporary politics, and extends it backwards to the period of German history known as the “Vormärz”―the period between 1815 and 1848. It establishes parallels between that period and the current debates about Brexit, and shows how equivalent issues are reflected in the accounts of King John given by three leading German critics of the “Vormärz” period―which also successively demonstrate the deleterious rise of German nationalism. These issues include: the weaknesses, mistakes and crimes of the powerful, and their effect both on the nation directly afflicted with them, and on others; the issue of national sovereignty and its relationship to the fellowship of nations; the struggle against arguably alien ways of thinking; the dividing line between necessary compromise and rank betrayal; the dilemma of choice; and the poisoned chalice of democratic freedom. And the parallels they establish between Shakespeare, the “Vormärz” and us are as instructive as they are unsettling.

Downloads

Download data is not yet available.

Author Biography

Robert Gillett, Queen Mary University of London

Robert Gillett is Reader in German and Comparative Cultural Studies at Queen Mary University of London. His research interests include German-language literature from 1800 to the present day, feminist and queer studies, and theatre history. He heads the cultural transfer section of QM’s Centre for Anglo-German Cultural Relations, and is reviews editor of its Yearbook Angermion.

References

Austin, Linda M. “Children of Childhood: Nostalgia and the Romantic Legacy.” Studies in Romanticism 42.1 (2003): 75-98.
Google Scholar

Bate, Jonathan and Eric Rasmussen, eds. William Shakespeare. King John and Henry VIII. Basingstoke: Macmillan, 2012.
Google Scholar

Benedix, Roderich. Die Shakespearomanie. Zur Abwehr. Stuttgart: Cotta, 1873.
Google Scholar

Dedner, Burghard. “‘Alle Dichter wie Schulknaben’ – Büchner und Shakespeare.” Georg Büchner. Revolutionär mit Feder und Skalpell. Ed. Ralf Beil and Burghard Dedner. Ostfildern: Hatje Cantz, 2013. 115-125.
Google Scholar

Grabbe, Christian Dietrich. “König Johann. Aufgeführt den 1. April 1835.” Werke. Zweiter Band. Ed. Roy C. Cowen. Munich and Vienna: Hanser, 1977. 543-546.
Google Scholar

Grabbe, Christian Dietrich. “Über die Shakespearo-manie.” Werke. Zweiter Band. Ed. Roy C. Cowen. Munich and Vienna: Hanser, 1977. 417-445.
Google Scholar

Gubar, Marah. “The Victorian Child, c.1837-1901.” Representing Childhood. University of Pittsburgh, 2005. 23 January 2018. <http://www.representingchildhood.pitt.edu/victorian.htm>.
Google Scholar

Gutzkow, Karl. Rückblicke auf mein Leben. Berlin: Hofmann, 1875.
Google Scholar

Heine, Heinrich. Shakespeares Mädchen und Frauen. Historisch-kritische Gesamtausgabe der Werke. Ed. Manfred Windfuhr. Vol 10. Ed. Jan-Christoph Hauschild. Hamburg: Hoffmann & Campe, 1993. 7-191.
Google Scholar

Horn, Franz. Shakspeare’s Schauspiele erläutert. Leipzig: Brockhaus, 1823 (Part 1), 1825 (Part 2), 1826 (Part 3), 1827 (Part 4), 1831 (Part 5).
Google Scholar

Ingram, Philip. Napoleon and Europe. Cheltenham: Stanley Thornes, 1998.
Google Scholar

Jameson, Anna Brownell. Characteristics of Women, Moral, Poetical, and Historical. I & II. 4th ed. London: Saunders and Otley, 1846.
Google Scholar

Paulin, Roger. Critical Reception of Shakespeare in Germany, 1682-1914. Native Literature and Foreign Genius. Hildesheim: Olms, 2003.
Google Scholar

Paulin, Roger. The Life of August Wilhelm Schlegel, Cosmopolitan of Art and Poetry. Cambridge: Open Book Publishers, 2016.
Google Scholar

Reed, Henry. “The Reign of King John.” Lectures on English History and Tragic Poetry. Philadelphia: Parry & McMillan, 1855. Quoted in Candido, Joseph, ed. King John. Shakespeare. The Critical Tradition. London and Atlantic Highlands, N.J.: Athlone, 1996. 152-157.
Google Scholar

Roger, Christine. La Réception de Shakespeare en Allemagne de 1815 à 1850: propagation et assimilation de la référence étrangère. Bern etc.: Peter Lang, 2008.
Google Scholar

Schabert, Ina, ed. Shakespeare-Handbuch. Die Zeit, der Mensch, das Werk, die Nachwelt. 4th ed. Stuttgart: Kröner, 2000.
Google Scholar

Schlegel, August Wilhelm. „Anmerkungen zu Tiecks Anmerkungen zum deutschen Sh. Und zu einigen Stellen des englischen Textes.“ In Sämmtliche Werke. Ed. Eduard Böcking. Weidmann: 1846. 7, 292-296.
Google Scholar

Schlegel, August Wilhelm. Lectures on Dramatic Art and Literature. Trans. John Black. 2nd ed. Revised by A. J. W. Morrison. London: George Bell, 1894.
Google Scholar

Schlegel, August Wilhelm. Vorlesung über dramatische Kunst und Literatur. I & II. Kritische Schriften und Briefe. Ed. Edgar Lohner, Stuttgart etc.: Kohlhammer, 1966. V & VI.
Google Scholar

Stahl, Ernst Leopold. Shakespeare und das deutsche Theater. Wanderung und Wandelung seines Werkes in dreiundhalb Jahrhunderten. Stuttgart: Kohlhammer, 1947.
Google Scholar

Tieck, Ludwig. Das Buch über Shakespeare. Handschriftliche Aufzeichnungen aus dem Nachlaß. Ed. Henry Lüdecke. Halle/Saale: Niemeyer, 1920.
Google Scholar

Ulrici, Hermann. Shakespeare’s Dramatic Art. History and Character of Shakspeare’s Plays. Trans. L. Dora Schmitz. London: George Bell, 1876.
Google Scholar

Ulrici, Hermann. Shakspeare’s dramatische Kunst. Geschichte und Charakteristik des Shakspeareschen Dramas. 2nd ed. Leipzig: Weigel, 1847.
Google Scholar

Watt, Gary. “Sovereigns, Sterling and ‘Some Bastards Too!’: Brexit Seen from Shakespeare’s King John.” Journal of International Dispute Settlement 9.11 (2018): 58-82.
Google Scholar

Williams, Simon. Shakespeare on the German Stage. Volume 1: 1586-1914. Cambridge etc: Cambridge University Press, 1990.
Google Scholar

Downloads

Published

2019-06-30

How to Cite

Gillett, R. (2019). King John in the “Vormärz”: Worrying Politics and Pathos. Multicultural Shakespeare: Translation, Appropriation and Performance, 19(34), 71–89. https://doi.org/10.18778/2083-8530.19.04

Similar Articles

<< < 3 4 5 6 7 8 9 10 > >> 

You may also start an advanced similarity search for this article.