Rereading Shakespeare's Ophelia: Marcelo Marchioro's Performance Aesthetics

Authors

  • Anna Stegh Camati

DOI:

https://doi.org/10.18778/2083-8530.3.05

References

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Dijkstra, B. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture. Oxford University Press, New York: 1986.

Eliot, T. S. The Sacred Wood. Methuen, London: 1960.

Kiefer, C. S. (ed.). The Myth and Madness of Ophelia. Amherst College Press, Amherst, Mass.: 2001.

Montaigne, M. E. Complete Essays of Montaigne. Stanford University Press, Stanford: 1965.

Parker, P., Hartman, G. (eds.). Shakespeare and the Question of Theory. Routledge, London: 1991.

Pavis, P. Dictionary of the Theatre: Terms, Concepts and Analysis. University of Toronto Press, Toronto: 1998.

Scholes, R. Semiotics and Interpretation. Yale University Press, New Haven: 1982.

Shakespeare, W. Hamlet. Edited by Bernard Lott. New Swan Shakespeare. Longman, London: 1970.

Showalter, B. The Female Malady: Women, Madness, and English Culture, 1830–1980. Penguin, Harmondsworth: 1985.

Thompson, M. and R. (eds.). Shakespeare and the Sense of Performance. Associated University Presses, London: 1989.

Walsh, B. "The Rest is Silence: Müller contra Shakespeare." PAJ: A Journal of Performance and Art 2001, 69: 24–35.

Wells, S. (ed.). Shakespeare Survey: an annual survey of Shakespeare studies and production, n° 48. Cambridge University Press, Cambridge: 1995.

Vest, J. M. The French Face of Ophelia from Belleforest to Baudelaire. University Press of America, Lanham: 1989.

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Published

2006-01-01

Issue

Section

Articles

How to Cite

Camati, Anna Stegh. 2006. “Rereading Shakespeare’s Ophelia: Marcelo Marchioro’s Performance Aesthetics”. Multicultural Shakespeare: Translation, Appropriation and Performance 3 (January): 69-80. https://doi.org/10.18778/2083-8530.3.05.