The Doublet and Hose: A Question of Identity in As You Like It

Similar Articles

• Zsolt Almási, Krystyna Kujawińska Courtney, Mădălina Nicolaescu, Klára Škrobánková, Ema Vyroubalova, Oana-Alis Zaharia, Politics, Shakespeare, East-Central Europe: Theatrical Border Crossings , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 28 No. 43 (2023): Crossing Borders with Shakespeare since 1945: Central and Eastern European Roots and Routes
• Nicoleta Cinpoeş, Kornélia Deres, Jacek Fabiszak, Kinga Földváry, Veronika Schandl, Popular and Populist Shakespearean Transcreations in Central and Eastern Europe , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 28 No. 43 (2023): Crossing Borders with Shakespeare since 1945: Central and Eastern European Roots and Routes
• Kirilka Stavreva, Boika Sokolova, Natália Pikli, Jana Wild, Our Common Home: Eastern Europe / Central Europe / Post-Communist Europe as Signifiers of Cultural-Political Geographies and Identities , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 28 No. 43 (2023): Crossing Borders with Shakespeare since 1945: Central and Eastern European Roots and Routes
• Anna Cetera-Włodarczyk, Šárka Havlíčková Kysová, Anna Kowalcze-Pawlik, Ivona Mišterová, Gabriella Reuss, Monsters and Marvels: Shakespeare Across Opera, Ballet, Dance, Puppetry, and Music in Central and Eastern Europe—and Beyond , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 28 No. 43 (2023): Crossing Borders with Shakespeare since 1945: Central and Eastern European Roots and Routes
• Laura Estill, Lingui Yang, Monica Matei-Chesnoiu, José Manuel González, Jacob Heil, Julie D. Campbell, Youmi Jung, Nicole Hagstrom-Schmidt, James L. Harner: In Memoriam , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 17 No. 32 (2018)
• Coen Heijes, William Baker, Elena Yuan, Sun Yanna, Book Reviews , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 18 No. 33 (2018)
• Carla Della Gatta, From Metaphor to Metonym: Shakespearean Recognition in the United States University , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 27 No. 42 (2023): The Global Origins of Shakespeare Studies
• Coen Heijes, Renfang Tang, Xu Jia, Qiao Xueying, Book Reviews , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 17 No. 32 (2018)
• Coen Heijes, Ayanna Thompson, Introduction: Shakespeare, Blackface and Performance. A Global Perspective , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 22 No. 37 (2020): Thematic Issue: Shakespeare, Blackface, and Performance: A Global Exploration
• Uroš Trefalt, Other "Hamlet" in Puppet Theatre: A Contribution to Central European Theatre Diversity of the 1980s-1990s , Multicultural Shakespeare: Translation, Appropriation and Performance: Vol. 28 No. 43 (2023): Crossing Borders with Shakespeare since 1945: Central and Eastern European Roots and Routes

1 2 3 4 5 6 7 8 9 10 > >> 

You may also start an advanced similarity search for this article.