Conceptualizing In-Text “Kshetra”: Postcolonial Allahabad’s Cultural Geography in Neelum Saran Gour’s Allahabad Aria and Invisible Ink

Authors

DOI:

https://doi.org/10.18778/2083-2931.11.24

Keywords:

“kshetra”, cultural geography, Allahabad, multiculturalism, postcolonial

Abstract

Literary renditions of cities have always gravitated towards the spatial imagination and its ethical counterpart outside the textual space. This paper explores the multicultural geography of the North Indian city Allahabad (recently renamed Prayagraj) observed through Neelum Saran Gour’s postcolonial narratives Allahabad Aria and Invisible Ink, projecting the narrative alignment of spatial aesthetics and cultural ethics. Interrogating the spatial dimensions of a “narrative world” within narrative theory (Ryan) and its interdisciplinary crossover with cultural geography (Sauer; Mitchell; Anderson et al.), the article seeks to examine Gour’s literary city not simply as an objective homogeneous representation, but as a “kshetra” of spatio-cultural cosmos of lived traditions, memories, experiences and collective attitudes of its people, in the context of E. V. Ramakrishnan’s theoretical reflections. The article proposes new possibilities of adapting the Indian concept “kshetra” to spatial literary studies; its aim is also to suggest a new source of knowledge about the city of Allahabad through a community introspection of “doing culture” in the texts, bringing into view people’s shared experiences, beliefs, religious practices and traditions as offshoots of the postcolonial ethos. The article aims to re-contextualize the city’s longstanding multicultural ethics in the contemporary times of crisis, which may affect a shift in the city’s relevance: from regional concern to large-scale significance within ethnically diverse South Asian countries and beyond.

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Author Biographies

  • Chhandita Das, Indian Institute of Technology Patna

    Chhandita Das is currently a Senior Research Fellow and Teaching Assistant in the Department of Humanities and Social Sciences, Indian Institute of Technology Patna. Her areas of interest are place and literature, literature and social semiotics, and Indian writing in English. She is also a Teaching Assistant for UG level course English for Communication. She has published with reputed journals including English, Indian Literature (Sahitya Akademi), Open Cultural Studies (De Gruyter), GeoHumanities, Economic and Political Weekly and others.

  • Priyanka Tripathi, Indian Institute of Technology Patna

    Priyanka Tripathi is Associate Professor of English, Department of Humanities and Social Sciences, Indian Institute of Technology Patna. She has published extensively with Indian Literature (Sahitya Akademi), English, Journal of Graphic Novels and Comics, Feminist Theory, Economic and Political Weekly and others. She is also the Book Reviews Editor of Rupkatha Journal on Interdisciplinary Studies in Humanities. Currently, she is working on an ICSSR-funded project entitled “Mapping Domestic Violence in the times of COVID-19: A Study from Bihar.” Her areas of research include South Asian fiction, gender studies, place and literature, and graphic narratives.

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Published

2021-11-22

How to Cite

Das, Chhandita, and Priyanka Tripathi. 2021. “Conceptualizing In-Text ‘Kshetra’: Postcolonial Allahabad’s Cultural Geography in Neelum Saran Gour’s Allahabad Aria and Invisible Ink”. Text Matters: A Journal of Literature, Theory and Culture, no. 11 (November): 389-403. https://doi.org/10.18778/2083-2931.11.24.