Introduction: Global Shakespeare for Anglophone Audiences

Autor

  • Sarah Dustagheer University of Kent
  • Aleksandra Sakowska London Shakespeare Centre, King’s College London

DOI:

https://doi.org/10.2478/mstap-2014-0002

Pobrania

Brak dostępnych danych do wyświetlenia.

Bibliografia

Bennett, Susan, and Christie Carson, Eds. Shakespeare Beyond English: A Global Experiment. Cambridge: Cambridge University Press, 2013.
Google Scholar

Escolme, Bridget. “Decentring Shakespeare: A Hope for Future Connections.” Shakespeare Beyond English. Ed. S. Bennett and C. Carson. Cambridge: Cambridge University Press, 2013. 308-312.
Google Scholar

Hoenselaars, A.J. “Translation Futures: Shakespearians and the Foreign Text.” Shakespeare Survey 62 (2009): 273-282.
Google Scholar

Laera, Margherita. “In Praise of Translation: On Watching Shakespeare in a Foreign Language.” Web. Jan 2014. https://www.bloggingshakespeare.com/year-of-shakespeare-in-praise-of-translation
Google Scholar

Massai, Sonia. “Art of Darkness: Staging Giulio Cesare at the Globe Theatre.” Ed. S. Bennett and C. Carson. Cambridge: Cambridge University Press, 2013. 92-100.
Google Scholar

Sanders, Julie. “Creative Exploitation and Talking Back: Renegade Theatre’s The Winter’s Tale or Ìtàn Ògìnìntìn (‘Winter’s Tales’).” Ed. S. Bennett and C. Carson. Cambridge: Cambridge University Press, 2013. 241-250.
Google Scholar

Wells, Stanley. “Foreword.” A Year of Shakespeare. Ed. P. Edmondson, P. Prescott and E. Sullivan. London: Bloomsbury Arden Shakespeare, 2013. xxiii-xxv.
Google Scholar

Wiles, David. A Short History of Western Performance Space. Cambridge: Cambridge University Press, 2003.
Google Scholar

Opublikowane

2014-12-30

Jak cytować

Dustagheer, S., & Sakowska, A. (2014). Introduction: Global Shakespeare for Anglophone Audiences. Multicultural Shakespeare: Translation, Appropriation and Performance, 11(26), 9–16. https://doi.org/10.2478/mstap-2014-0002

Numer

Dział

Articles