Theatre Reviews

Takehito Mitsui

doi:10.18778/2083-8530.30.13

Autor

Takehito Mitsui Kindai University, Japan

DOI:

https://doi.org/10.18778/2083-8530.30.13

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Biogram autora

Takehito Mitsui - Kindai University, Japan

Takehito Mitsui is a critic and adjunct lecturer in the Department of Informatics at Kindai University, Japan. As a board member of the International Association of Theatre Critics Japan Centre, he consistently publishes theatre reviews in both English and Japanese.

Bibliografia

Isaka, Maki. Onnagata: A Labyrinth of Gendering in Kabuki Theater. Seattle and London: University of Washington Press, 2016.
Google Scholar DOI: https://doi.org/10.1515/9780295806242

Kimura, Ryunosuke. Shin Titus Reborn (Playtext), 2023.
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Kitamura, Sae. “How Should You Perform and Watch Othello and Hairspray in a Country Where You Could Never Hire Black Actors? Shakespeare and Casting in Japan.” Multicultural Shakespeare: Translation, Appropriation and Performance 22 [37] (December 2020): 87-101.
Google Scholar DOI: https://doi.org/10.18778/2083-8530.22.06

Matida, Kasyo. Odori: Japanese Dance. London and New York: Kegan Paul, 2005.
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Morioka, Heinz and Miyoko Sasaki. Rakugo: The Popular Narrative Art of Japan. Cambridge (Massachusetts) and London: Harvard University Press, 1990.
Google Scholar DOI: https://doi.org/10.2307/j.ctt1tfjbg0

Shakespeare, William. Titus Andronicus. Trans. Kazuko Matsuoka. Tokyo: Chikumashobo, 2004.
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Shakespeare, William. Titus Andronicus. Ed. Jonathan Bate. The Arden Shakespeare. Revised Edition. London: Bloomsbury, 2018.
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Yasuda, Noboru. Noh as Living Art: Inside Japan’s Oldest Theatrical Tradition. Japan Publishing Industry Foundation for Culture, 2021.
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Theatre Company Kakushinhan. Shin Titus Reborn. Production programme.
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