Theatre Reviews

Durham, Mary Edith. High Albania. Enhanced Media Publishing, 2017.
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Dzino, Danijel. “Constructing Illyrians: Prehistoric Inhabitants of the Balkan Peninsula in Early Modern and Modern Perceptions.” Balkanistica 27 (2014): 1-39.
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Fermor, David. “In Byron’s Footsteps, through Byron’s Eyes: Literary Tourism and ‘Imagined Geographies’ of Southern Albania.” Journal of Balkan and Near Eastern Studies (2021): 1-23.
Google Scholar DOI: https://doi.org/10.1080/19448953.2021.2006012

Johns, Myke. “Atlanta Director Stages ‘Twelfth Night’ In Albania.” 2 January 2018.
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WABE https://www.wabe.org/atlanta-director-stages-twelfth-night-albania/ Accessed 18 September 2022.
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Kostihová, Marcela. “Post-communist Nights: Shakespeare, Essential Masculinity, and Western Citizenship.” Twelfth Night: New Critical Essays. Ed. James Schiffer. London and New York: Routledge, 2011. 132-148.
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Sedgwick, Eve Kosovsky. Between Men. English Literature and Male Homosocial Desire. 1985. New York: Columbia University Press, 2015.
Google Scholar DOI: https://doi.org/10.7312/sedg90478

Shakespeare, William. Twelfth Night, or What You Will. Ed. Keir Elam. London: The Arden Shakespeare, 2008.
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Tan, Marcus Cheng Chye. “‘Here I Am... Yet Cannot Hold This Visible Shape’: The Music of Gender in Shakespeare’s Twelfth Night.” Comitatus 32 (2001): 99-125.
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Xhoxhi, Ledio. “Shekspiri, Njohës I Mirë I Historisë Shqiptare.” WordPress. 2017 https://xhoxhi.files.wordpress.com/2018/06/shekspiri-njohc3abs-i-mirc3ab-ihistorisc3ab-shqiptare.pdf Accessed 2 October 2022.
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Arkoumanea, Louiza [Αρκουμανέα, Λουίζα]. «Τρωίλος και Χρυσηίδα: Σαίξπηρ με ανανεωτικό σκηνοθετικό βλέμμα» [“Troilus and Cressida: Shakespeare in a refreshing directing view”]. 26 March 2022. Lifo https://www.lifo.gr/culture/theatro/troilos-kai-hrysiida-saixpir-me-ananeotiko-skinothetiko-blemma/ Accessed 15 September 2022.
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Bouras, Konstantinos [Μπούρας, Κωνσταντίνος]. «Τρωίλος και Χρυσηίδα του Σαίξπηρ [;;;;] στο Εθνικό. Ή όσα δεν φτάνει η αλεπού… πηδάει και τα εκχυδαΐζει» [“Troilus and Cressida by Shakespeare [????] at the National. Or, what the fox cannot get, it leaps and vulgarizes it 5 ”]. 30 March 2022. Fractalart https://www.fractalart.gr/troilos-kai-chrysiida-toy-saixpir/ Accessed 16 September 2022.
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Charami, Stella [Χαραμή, Στέλλα]. «Συν & Πλην: “Τρωίλος και Χρυσηίδα” στο Εθνικό Θέατρο» [“Pros and Cons: ‘Troilus and Cressida’ at the National Theatre”]. 22 March 2022. Monopoli https://www.monopoli.gr/2022/03/22/reviews/kritikh-theatroy/566733/syn-plin-troilos-kai-xrysiida-sto-ethniko-theatro/ Accessed 16 September 2022.
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Cohen, Alexandros [Κοέν, Αλέξανδρος]. Director’s note [untitled]. Τρωίλος και Χρυσηίδα [Troilus and Cressida]. Του Γουίλλιαμ Σαίξπηρ [By William Shakespeare]. Programme. Αθήνα [Athens]: Θέατρο Αργώ [Argo Theatre], 2021. 6-7.
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Georgopoulou, Xenia. “Food and Identity in Shakespeare’s Plays.” Signs of Identity. Literary Constructs and Discursive Practices. Ed. Emilia Parpală. Newcastle upon Tyne: Cambridge Scholars, 2017. 66-80.
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Georgopoulou, Xenia [Γεωργοπούλου, Ξένια]. Ο Σαίξπηρ οριζοντίως και καθέτως [Shakespeare Horizontally and Vertically]. Αθήνα [Athens]: Αιγόκερως [Aigokeros], 2019.
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Kranioti, Spyridonia [Κρανιώτη, Σπυριδωνία]. «Ραφίκα Σαουίς: “Δεν με ενδιαφέρει να κάνω οτιδήποτε απλώς για να υπάρχω στον χώρο”» [“Rafika Chawishe: ‘I’m not interested in doing anything just to exist in the field’”]. 29 December 2021. Zougla https://www.zougla.gr/politismos/8eatro-politismos/article/rafika-saois/ Accessed 19 September 2022.
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Kyrgia, Eri [Κύργια, Έρι]. «Κάντε πόλεμο, όχι έρωτα» [“Make war, not love”]. Τρωίλος και Χρυσηίδα [Troilus and Cressida]. Του Ουίλιαμ Σαίξπηρ [By William Shakespeare]. Programme. Αθήνα [Athens]: Εθνικό Θέατρο [National Theatre], 2022. 19-22.
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Marinou, Dionysia [Μαρίνου, Διονυσία]. «Το πρωτόγονο στοιχείο του ανθρώπου δεν εξελίσσεται» [“The primitive element in humans does not evolve”]. 16 March 2022. Ot https://www.ot.gr/2022/03/16/plus/to-protogono-stoixeio-tou-anthropouden-ekselissetai/ Accessed 16 September 2022.
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Panourgia, Maria [Πανουργιά, Μαρία]. «Σχεδόν άνθρωποι» [“Almost humans”].
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Τρωίλος και Χρυσηίδα [Troilus and Cressida]. Του Ουίλιαμ Σαίξπηρ [By William Shakespeare]. Αθήνα [Athens]: Εθνικό Θέατρο [National Theatre], 2022. 7.
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Theodorakou, Marilena [Θεοδωράκου, Μαριλένα]. «Αλέξανδρος Κοέν: Σκηνοθετεί τρεις καινούργιες παραστάσεις» [“Alexandros Cohen: He directs three new productions”]. 8 September 2020. Youfly https://youfly.com/theatro/alexandroskoen-skinothetei-treis-kainourgies-parastaseis/ Accessed 19 September 2022.
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Xanthos, Thanos [Ξάνθος, Θάνος]. «Αλέξανδρος Κοέν: “Ο πολιτισμός αυτή τη στιγμή βρίσκεται στο περιθώριο”» [“Alexandros Cohen: ‘Culture at this moment is marginalized’”]. 12 January 2022. Tetragwno https://tetragwno.gr/life/themata/prosopa/alexandros-koen-o-politismos-ayti-ti-stigmi-vrisketai-sto-perithorio/ Accessed 19 September 2022.
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Xenios, Nikos [Ξένιος, Νίκος]. «Εθνικό θέατρο: Μια παράσταση βασισμένη στο Τρωίλος και Χρυσηίδα του Σαίξπηρ (κριτική)» [“National Theatre: A production based on Shakespeare’s Troilus and Cressida (Review)”]. 26 March 2022. Bookpress https://bookpress.gr/politismos/theatro-xoros/15288-troiloskai-chrisiida-ethniko-theatro/ Accessed 16 September 2022.
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Zois, Nikolas [Ζώης, Νικόλας]. «Τρωίλος και Χρυσηίδα: Αισιοδοξία είναι ότι κάνουμε αυτά που κάνουμε» [“Troilus and Cressida: Optimism is that we do what we do”]. 25 March 2022. Kathimerini https://www.kathimerini.gr/culture/561776671/troilos-kai-chrysiida-aisiodoxia-einai-oti-kanoyme-ayta-poy-kanoyme/ Accessed 16 September 2022.
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