Introduction: Global Shakespeare for Anglophone Audiences

Authors

  • Sarah Dustagheer University of Kent
  • Aleksandra Sakowska London Shakespeare Centre, King’s College London

DOI:

https://doi.org/10.2478/mstap-2014-0002

References

Bennett, Susan, and Christie Carson, Eds. Shakespeare Beyond English: A Global Experiment. Cambridge: Cambridge University Press, 2013.

Escolme, Bridget. “Decentring Shakespeare: A Hope for Future Connections.” Shakespeare Beyond English. Ed. S. Bennett and C. Carson. Cambridge: Cambridge University Press, 2013. 308-312.

Hoenselaars, A.J. “Translation Futures: Shakespearians and the Foreign Text.” Shakespeare Survey 62 (2009): 273-282.

Laera, Margherita. “In Praise of Translation: On Watching Shakespeare in a Foreign Language.” Web. Jan 2014. https://www.bloggingshakespeare.com/year-of-shakespeare-in-praise-of-translation

Massai, Sonia. “Art of Darkness: Staging Giulio Cesare at the Globe Theatre.” Ed. S. Bennett and C. Carson. Cambridge: Cambridge University Press, 2013. 92-100.

Sanders, Julie. “Creative Exploitation and Talking Back: Renegade Theatre’s The Winter’s Tale or Ìtàn Ògìnìntìn (‘Winter’s Tales’).” Ed. S. Bennett and C. Carson. Cambridge: Cambridge University Press, 2013. 241-250.

Wells, Stanley. “Foreword.” A Year of Shakespeare. Ed. P. Edmondson, P. Prescott and E. Sullivan. London: Bloomsbury Arden Shakespeare, 2013. xxiii-xxv.

Wiles, David. A Short History of Western Performance Space. Cambridge: Cambridge University Press, 2003.

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Published

2014-12-30

Issue

Section

Articles

How to Cite

Dustagheer, Sarah, and Aleksandra Sakowska. 2014. “Introduction: Global Shakespeare for Anglophone Audiences”. Multicultural Shakespeare: Translation, Appropriation and Performance 11 (26): 9-16. https://doi.org/10.2478/mstap-2014-0002.