Theatre Reviews

Takehito Mitsui

doi:10.18778/2083-8530.30.13

Authors

Takehito Mitsui Kindai University, Japan

DOI:

https://doi.org/10.18778/2083-8530.30.13

Author Biography

Takehito Mitsui, Kindai University, Japan

Takehito Mitsui is a critic and adjunct lecturer in the Department of Informatics at Kindai University, Japan. As a board member of the International Association of Theatre Critics Japan Centre, he consistently publishes theatre reviews in both English and Japanese.

References

Isaka, Maki. Onnagata: A Labyrinth of Gendering in Kabuki Theater. Seattle and London: University of Washington Press, 2016. DOI: https://doi.org/10.1515/9780295806242

Kimura, Ryunosuke. Shin Titus Reborn (Playtext), 2023.

Kitamura, Sae. “How Should You Perform and Watch Othello and Hairspray in a Country Where You Could Never Hire Black Actors? Shakespeare and Casting in Japan.” Multicultural Shakespeare: Translation, Appropriation and Performance 22 [37] (December 2020): 87-101. DOI: https://doi.org/10.18778/2083-8530.22.06

Matida, Kasyo. Odori: Japanese Dance. London and New York: Kegan Paul, 2005.

Morioka, Heinz and Miyoko Sasaki. Rakugo: The Popular Narrative Art of Japan. Cambridge (Massachusetts) and London: Harvard University Press, 1990. DOI: https://doi.org/10.2307/j.ctt1tfjbg0

Shakespeare, William. Titus Andronicus. Trans. Kazuko Matsuoka. Tokyo: Chikumashobo, 2004.

Shakespeare, William. Titus Andronicus. Ed. Jonathan Bate. The Arden Shakespeare. Revised Edition. London: Bloomsbury, 2018.

Yasuda, Noboru. Noh as Living Art: Inside Japan’s Oldest Theatrical Tradition. Japan Publishing Industry Foundation for Culture, 2021.

Theatre Company Kakushinhan. Shin Titus Reborn. Production programme.