Whose Castle is it Anyway?: Local/Global Negotiations of a Shakespearean Location

Authors

  • Anne Sophie Refskou University of Surrey

DOI:

https://doi.org/10.1515/mstap-2017-0009

Keywords:

Hamlet, Elsinore, Kronborg, globalization, nationalism, borders, interculturalism

Abstract

Kronborg Castle in the Danish town of Elsinore is a location strongly associated with Shakespeare thanks to the setting of Hamlet. It is a place where fiction currently eclipses history, at least in the context of a cultural tourist industry where Shakespeare’s name is worth a great deal more than Danish national heritage sites. Indeed, Kronborg is now widely marketed as ‘Hamlet’s Castle’ and the town of Elsinore has acquired the suffix ‘Home of Hamlet’. This article examines the signifiers implied in the naming and renaming of Kronborg as a Shakespearean location, while also looking at its unique international Shakespearean performance tradition, which spans two centuries. It describes how the identity of the castle has been shaped by its Shakespearean connection against the backdrop of changing ideologies in the twentieth and twenty-first centuries, and poses questions as to how this identity may continue to develop within the current contexts of renewed nationalism in Europe and the world.

Downloads

Download data is not yet available.

Author Biography

Anne Sophie Refskou, University of Surrey

Anne Sophie Refskou is a lecturer in Theatre and Performance at the Guildford School of Acting, University of Surrey. She completed her doctorate at University of Aarhus, Denmark and specializes in global and intercultural Shakespeare studies. Her research intersects theory and practice and includes perspectives on Shakespearean adaptation and multilingual performance. She is currently developing an interest in cultural diplomacy through Shakespeare inspired by her research for an exhibition of the Shakespearean performance history at Kronborg Castle in Elsinore, Denmark.

References

Baudrillard, Jean. Simulacra and Simulation. Trans. Sheila Faria Glaser. Ann Arbor: University of Michigan Press, 1994.
Google Scholar

Bay-Petersen, Hans. En selskabelig invitation – Det Kgl. Teaters gæstespil i Nazi-Tyskland i 1930'erne. Copenhagen: Multivers, 2007.
Google Scholar

Berlingske Kultur. 13 June 2015. http://www.b.dk/kultur/helsingoer-hejser-hamletflaget-helt-til-tops
Google Scholar

Bristol, Michael. Big-Time Shakespeare. London, New York: Routledge, 1996.
Google Scholar

Calvo, Clara and Coppélia Kahn, eds. Celebrating Shakespeare: Commemoration and Cultural Memory. Cambridge: CUP, 2015.
Google Scholar

Drábek, Pavel. “English Theatre and Central European Marionette Drama: A Study in Theater Etymology”. Transnational Mobility in Early Modern Theater. Ed. Robert Hencke and Eric Nicholson. London, New York: Routledge, 2014. 177-199.
Google Scholar

“Foreword”. Festspillene paa Kronborg. Theatre programme, 1949. 5.
Google Scholar

Gurr, The Shakespearean Stage 1574-1642. Cambridge: CUP, 2011.
Google Scholar

Henningsen, Henning. “En museumsmands erindringskavalkade: Handels-og Søfartsmuseet gennem 30 år”. 1990. http://mfs.dk/wp-content/uploads/2016/06/1990Enmuseumsmandserindringskavalkade7-34.pdf.
Google Scholar

Huang, Alexa. “Global Shakespeares as Methodology”. Shakespeare 9:3 (2013): 273-290.
Google Scholar

Kennedy, Dennis. “Shakespeare and Cultural Tourism”. Theatre Journal 50.2 (1998): 175-188.
Google Scholar

Kristensen, Tom. “Prolog til Hamlet, Prince of Denmark”. Festspillene paa Kronborg. Theatre programme, 1939. 20-22.
Google Scholar

Lord Lloyd. “A Message from Lord Lloyd”. Festspillene paa Kronborg. Theatre programme, 1939.
Google Scholar

Schalkwyk, David. “From the Globe to Globalisation: Shakespeare and Disney in the Postmodern World”. Journal of Literary Studies 15 (1999): 33-65.
Google Scholar

Shakespeare, William, Hamlet. Ed Ann Thompson and Neil Taylor. London: Arden Shakespeare, 2006.
Google Scholar

Shakespeare’s Globe. “Adopt an Actor: Naeem Hayat, Final Performance 1”: http://www.shakespearesglobe.com/discovery-space/adopt-an-actor/archive/hamletplayed-by-naeem-hayat/final-performance-1
Google Scholar

Shakespeare’s Globe: “Adopt an Actor: Phoebe Fildes ‘Final Performance”: http://www.shakespearesglobe.com/discovery-space/adopt-an-actor/archive/ophelia-gertrude-horatio-rosencrantz-played-by-phoebe-fildes
Google Scholar

Shakespeare’s England. 16 October 2016. http://shakespeares-england.co.uk
Google Scholar

Small, Christopher. “Danish Hospitality to Hamlet”. The Glasgow Herald, 17 April, 1959: 5.
Google Scholar

Stauning, Thorvald. “Til Kronborg”. Festspillene paa Kronborg. Theatre programme, 1937.
Google Scholar

Worthen, W.B. Shakespeare and the Force of Modern Performance. Cambridge: CUP, 2003.
Google Scholar

Downloads

Published

2017-06-30

How to Cite

Refskou, A. S. (2017). Whose Castle is it Anyway?: Local/Global Negotiations of a Shakespearean Location. Multicultural Shakespeare: Translation, Appropriation and Performance, 15(30), 121–132. https://doi.org/10.1515/mstap-2017-0009

Issue

Section

Articles