Theatre Reviews: Noh King Lear. Dir. Kuniyoshi Munakata Ueda. Kanze School. Kioi Hall (Small Hall), Tokyo, 29 April 2009.

Authors

  • Ryuta Minami

DOI:

https://doi.org/10.18778/2083-8530.6-7.13

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References

Keene, Donald. Nô and Bunraku: Two Forms of Japanese Theatre [1965]. New York: Columbia University Press, 1990.
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Masaki, Dômoto. “Dialogue and Monologue in Nô.” Nô and Kyôgen in the Contemporary World. Ed. James R. Brandon. Honolulu: University of Hawai‘i, 1997.
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Orkin, Martin. Local Shakespeares: Proximations and Power. London and New York: Routldge, 2005.
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Tatlow, Anthony. Shakespeare, Brecht, and the Intercultural Sign. Durham and London: Duke University Press, 2001.
Google Scholar DOI: https://doi.org/10.2307/j.ctv120qtbh

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Published

2010-01-01

How to Cite

Minami, R. (2010). Theatre Reviews: Noh King Lear. Dir. Kuniyoshi Munakata Ueda. Kanze School. Kioi Hall (Small Hall), Tokyo, 29 April 2009. Multicultural Shakespeare: Translation, Appropriation and Performance, 159–164. https://doi.org/10.18778/2083-8530.6-7.13

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