No. 5 (2012)

View No. 5 (2012)
Published: 2012-01-01

Articles

  • Karamzin’s dialogue with Sterne’s literary tradition in the novel The Letters of a Russian Traveller (devices of «Sterne’s plot» artistic design)

    Татьяна Алпатова
    9-20
    DOI: https://doi.org/10.18778/1427-9681.05.01

  • „Lyublyu Rossiyu ya…”. The genre tradition of presentation Russia in the lyrical genre of invective

    Александра Краковяк
    21-29
    DOI: https://doi.org/10.18778/1427-9681.05.02

  • Lermontov's religious and ethical ideal: sources of formation and artistic realization

    Ирина Киселёва
    30-40
    DOI: https://doi.org/10.18778/1427-9681.05.03

  • The commentary of literature and the problems of a poetic consciousness: Lev Tolstoy’s interpretation of the fragment of Ch. Dicken’s The Posthumous Papers of the Pickwick Club

    Николай Фортунатов
    41-47
    DOI: https://doi.org/10.18778/1427-9681.05.04

  • Horizons of a literary text interpretation in the folklore versions: Dying of Nemirovich-Danchenko

    Виктория Трубицына
    48-54
    DOI: https://doi.org/10.18778/1427-9681.05.05

  • On some strange similarities: classical component in Annenskyi’s and Dario’s works

    Галина Шелогурова
    55-64
    DOI: https://doi.org/10.18778/1427-9681.05.06

  • To the dialogue of poetry and philosophy: religious and philosophical context of the formation of the “word – logos” acmeist concept

    Любовь Кихней, Елена Меркель
    65-79
    DOI: https://doi.org/10.18778/1427-9681.05.07

  • Genre trends in Anna Akhmatova’s poetry: to the question of the traditions

    Наталья Чаунина
    80-88
    DOI: https://doi.org/10.18778/1427-9681.05.08

  • The sources of lyrical conflict in Tsvetaeva’s later works: life and being antinomianism

    Татьяна Павлова
    89-99
    DOI: https://doi.org/10.18778/1427-9681.05.09

  • The writer’s notebook and postmodern literature: points of convergence

    Светлана Ефимова
    100-110
    DOI: https://doi.org/10.18778/1427-9681.05.10

  • Inter-cultural dialogue as a means of reflecting the author’s standpoint in the story Merry Gertrude by Y. Buyda

    Tatyana Prokhorova
    111-119
    DOI: https://doi.org/10.18778/1427-9681.05.11

  • The genre transformation of the historical novel in the adventure-philosophical science fiction of the 20th century

    Елена Козьмина
    120-129
    DOI: https://doi.org/10.18778/1427-9681.05.12

  • Names of albums and songs of Boris Grebenshchikov

    Евгений Ерёмин
    130-141
    DOI: https://doi.org/10.18778/1427-9681.05.13

  • Footnotes and references in Lev Loseff’s poetry

    Михаил Павловец
    142-148
    DOI: https://doi.org/10.18778/1427-9681.05.14

  • Corporeality in Vera Pavlova’s poetry: about its sources

    Ewa Sadzińska
    149-155
    DOI: https://doi.org/10.18778/1427-9681.05.15

  • About some parallels in Anna Russ’s poems for children and adults

    Татьяна Алешка
    156-163
    DOI: https://doi.org/10.18778/1427-9681.05.16

  • Contemporary Russian political drama vis-à-vis tradition and continuity

    Barbara Olaszek
    164-171
    DOI: https://doi.org/10.18778/1427-9681.05.17

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