No. 3 (2013): Eroticism and Its Discontents

View No. 3 (2013): Eroticism and Its Discontents

Edited by Jadwiga Uchman

Published: 2013-11-23

Full Issue

Articles

  • Beyond the Garden: On the Erotic in the Vision of the Middle English Pearl

    Piotr Spyra
    13-26
    DOI: https://doi.org/10.2478/texmat-2013-0023

  • Eros and Pilgrimage in Chaucer’s and Shakespeare’s Poetry

    Barbara Kowalik
    27-41
    DOI: https://doi.org/10.2478/texmat-2013-0024

  • Geoffrey Chaucer’s The Merchant’s Tale, Giovanni Boccaccio’s The Tale of the Enchanted Pear-Tree, and Sir Orfeo Viewed as Eroticized Versions of the Folktales about Supernatural Wives

    Andrzej Wicher
    42-57
    DOI: https://doi.org/10.2478/texmat-2013-0025

  • “I cluppe and I cusse as I wood wore”: Erotic Imagery in Middle English Mystical Writings

    Władysław Witalisz
    58-70
    DOI: https://doi.org/10.2478/texmat-2013-0026

  • “Youth is Drunke with Pleasure, and therefore Dead to all Goodnesse”: Regulating the Excess of the Erotic Early Modern Body

    Steve Orman
    71-87
    DOI: https://doi.org/10.2478/texmat-2013-0027

  • Eroticism—Politics—Identity: The Case of Richard III

    Urszula Kizelbach
    88-101
    DOI: https://doi.org/10.2478/texmat-2013-0028

  • In a World Characterized by Transience and Doomed to Extinction Some Old Women Still Need Love —Mrs Rooney from Samuel Beckett’s All That Fall

    Jadwiga Uchman
    105-120
    DOI: https://doi.org/10.2478/texmat-2013-0029

  • Eroticism in the “Cold Climate” of Northern Ireland in Christina Reid’s The Belle of the Belfast City

    Katarzyna Ojrzyńska
    121-138
    DOI: https://doi.org/10.2478/texmat-2013-0030

  • Eroticism in and of the City: The Question of Approach

    Ewa Kębłowska-Ławniczak
    139-153
    DOI: https://doi.org/10.2478/texmat-2013-0031

  • Pornography Debate, Gaze and Spectatorship in Sarah Daniels’s Masterpieces

    Edyta Lorek-Jezińska
    154-170
    DOI: https://doi.org/10.2478/texmat-2013-0032

  • Eroticism and Justice: Harold Pinter’s Screenplay of Ian McEwan’s The Comfort of Strangers

    Paulina Mirowska
    171-185
    DOI: https://doi.org/10.2478/texmat-2013-0033

  • On Not Being Porn: Intimacy and the Sexually Explicit Art Film

    Anthony Barker
    186-202
    DOI: https://doi.org/10.2478/texmat-2013-0034

  • Sex-speare vs. Shake-speare: On Nudity and Sexuality in Some Screen and Stage Versions of Shakespeare’s Plays

    Jacek Fabiszak
    203-218
    DOI: https://doi.org/10.2478/texmat-2013-0035

  • Body, Sensuousness, Eros and the New Aesthetic Order from Schiller to Rushdie

    Dana Bădulescu
    219-232
    DOI: https://doi.org/10.2478/texmat-2013-0036

  • The Lost Life of Ira Daniel Aldridge (Part 2)

    Bernth Lindfors
    235-251
    DOI: https://doi.org/10.2478/texmat-2013-0037

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