No. 8 (2018): Engaging Ireland / American & Canadian Studies

View No. 8 (2018): Engaging Ireland / American & Canadian Studies

Edited by Wit Pietrzak

Published: 2018-11-23

Full Issue

Articles

  • Post-revisionism: Conflict (Ir)resolution and the Limits of Ambivalence in Kevin McCarthy’s Peeler

    Michael McAteer
    9-24
    DOI: https://doi.org/10.1515/texmat-2018-0001

  • “No Country for Old Men”? The Question of George Moore’s Place in the Early Twentieth-Century Literature of Ireland

    Joanna Jarząb-Napierała
    25-42
    DOI: https://doi.org/10.1515/texmat-2018-0002

  • Recessive Action in Colm Tóibín’s "Brooklyn"

    Camelia Raghinaru
    43-54
    DOI: https://doi.org/10.1515/texmat-2018-0003

  • Masculinities, History and Cultural Space: Queer Emancipative Thought in Jamie O’Neill’s At Swim, Two Boys

    Jarosław Milewski
    55-67
    DOI: https://doi.org/10.1515/texmat-2018-0004

  • Michael Longley and Birds

    Przemysław Michalski
    68-83
    DOI: https://doi.org/10.1515/texmat-2018-0005

  • “Soldier Dolls, Little Adulteresses, Poor Scapegoats, Betraying Sisters and Perfect Meat”: The Gender of the Early Phase of the Troubles and the Politics of Punishments against Women in Contemporary Irish Poetry

    Katarzyna Ostalska
    84-106
    DOI: https://doi.org/10.1515/texmat-2018-0006

  • Death of the Soldier and Immortality of War in Frank Ormsby’s A "Northern Spring"

    Karolina Marzec
    107-121
    DOI: https://doi.org/10.1515/texmat-2018-0007

  • Blindness in the Beckettland of Malfunctioning

    Jadwiga Uchman
    122-136
    DOI: https://doi.org/10.1515/texmat-2018-0008

  • Defying Maintenance Mimesis: The Case of Somewhere over the Balcony by Charabanc Theatre Company

    Katarzyna Ojrzyńska
    137-150
    DOI: https://doi.org/10.1515/texmat-2018-0009

  • “The Heart of this People is in its right place”: The American Press and Private Charity in the United States during the Irish Famine

    Paweł Hamera
    151-167
    DOI: https://doi.org/10.1515/texmat-2018-0010

  • The Conflicting Traditions of Portraying the Jewish People in the Chester Mystery Cycle

    Joanna Matyjaszczyk
    171-188
    DOI: https://doi.org/10.1515/texmat-2018-0011

  • The Whittrick Play of No Nothing: Alan Spence, Edwin Morgan, and Indra’s Net

    Monika Kocot
    189-211
    DOI: https://doi.org/10.1515/texmat-2018-0012

  • Boundaries and Otherness in Science Fiction: We Cannot Escape the Human Condition

    Isabella Hermann
    212-226
    DOI: https://doi.org/10.1515/texmat-2018-0013

  • Art (and) Criticism: Hart Crane and David Siqueiros

    Alicja Piechucka
    229-243
    DOI: https://doi.org/10.1515/texmat-2018-0014

  • The First Constitutional Government of the Minnesota Anishinaabeg

    Anna Krausová
    244-257
    DOI: https://doi.org/10.1515/texmat-2018-0015

  • Oppressive Faces of Whiteness in Walter Mosley’s Devil in a Blue Dress

    Klara Szmańko
    258-277
    DOI: https://doi.org/10.1515/texmat-2018-0016

  • The New Sentence: June Jordan and the Politics of Parataxis

    Paweł Kaczmarski
    278-295
    DOI: https://doi.org/10.1515/texmat-2018-0017

  • Outside the Magic Circle of White Male Supremacy in the Jim Crow South: Virginia Foster Durr’s Memoirs

    Susana María Jiménez-Placer
    296-319
    DOI: https://doi.org/10.1515/texmat-2018-0018

  • Cabeza de Vaca, Estebanico, and the Language of Diversity in Laila Lalami’s The Moor’s Account

    Zbigniew Maszewski
    320-331
    DOI: https://doi.org/10.1515/texmat-2018-0019

  • “A past that has never been present”: The Literary Experience of Childhood and Nostalgia

    Niklas Salmose
    332-351
    DOI: https://doi.org/10.1515/texmat-2018-0020

  • Mexican Village: Josefina Niggli’s Border Crossing Narrative

    Jadwiga Maszewska
    352-364
    DOI: https://doi.org/10.1515/texmat-2018-0021

  • “The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography

    David Allen, Agata Handley
    365-385
    DOI: https://doi.org/10.1515/texmat-2018-0022

  • The Catch of the Hyperreal: Yossarian and the Ideological Vicissitudes of Hyperreality

    Abdolali Yazdizadeh
    386-410
    DOI: https://doi.org/10.1515/texmat-2018-0023

  • Timothy Findley, His Biographers, and The Piano Man’s Daughter

    Sherrill Grace
    413-430
    DOI: https://doi.org/10.1515/texmat-2018-0024

  • Transvestite M(other) in the Canadian North: Isobel Gunn by Audrey Thomas

    Dorota Filipczak
    431-440
    DOI: https://doi.org/10.1515/texmat-2018-0025

Other

  • Reviews and Interviews

    Anna Warso, Wit Pietrzak, Katarzyna Ojrzyńska, Jan Jędrzejewski, Jadwiga Uchman
    443-461
    DOI: https://doi.org/10.1515/texmat-2018-0026