No. 8 (2018): Engaging Ireland / American & Canadian Studies

Edited by Wit Pietrzak

Published: 2018-11-23

Full Issue

Articles

Post-revisionism: Conflict (Ir)resolution and the Limits of Ambivalence in Kevin McCarthy’s Peeler

Michael McAteer

9-24
- PDF
“No Country for Old Men”? The Question of George Moore’s Place in the Early Twentieth-Century Literature of Ireland

Joanna Jarząb-Napierała

25-42
- PDF
Recessive Action in Colm Tóibín’s "Brooklyn"

Camelia Raghinaru

43-54
- PDF
Masculinities, History and Cultural Space: Queer Emancipative Thought in Jamie O’Neill’s At Swim, Two Boys

Jarosław Milewski

55-67
- PDF
Michael Longley and Birds

Przemysław Michalski

68-83
- PDF
“Soldier Dolls, Little Adulteresses, Poor Scapegoats, Betraying Sisters and Perfect Meat”: The Gender of the Early Phase of the Troubles and the Politics of Punishments against Women in Contemporary Irish Poetry

Katarzyna Ostalska

84-106
- PDF
Death of the Soldier and Immortality of War in Frank Ormsby’s A "Northern Spring"

Karolina Marzec

107-121
- PDF
Blindness in the Beckettland of Malfunctioning

Jadwiga Uchman

122-136
- PDF
Defying Maintenance Mimesis: The Case of Somewhere over the Balcony by Charabanc Theatre Company

Katarzyna Ojrzyńska

137-150
- PDF
“The Heart of this People is in its right place”: The American Press and Private Charity in the United States during the Irish Famine

Paweł Hamera

151-167
- PDF
The Conflicting Traditions of Portraying the Jewish People in the Chester Mystery Cycle

Joanna Matyjaszczyk

171-188
- PDF
The Whittrick Play of No Nothing: Alan Spence, Edwin Morgan, and Indra’s Net

Monika Kocot

189-211
- PDF
Boundaries and Otherness in Science Fiction: We Cannot Escape the Human Condition

Isabella Hermann

212-226
- PDF
Art (and) Criticism: Hart Crane and David Siqueiros

Alicja Piechucka

229-243
- PDF
The First Constitutional Government of the Minnesota Anishinaabeg

Anna Krausová

244-257
- PDF
Oppressive Faces of Whiteness in Walter Mosley’s Devil in a Blue Dress

Klara Szmańko

258-277
- PDF
The New Sentence: June Jordan and the Politics of Parataxis

Paweł Kaczmarski

278-295
- PDF
Outside the Magic Circle of White Male Supremacy in the Jim Crow South: Virginia Foster Durr’s Memoirs

Susana María Jiménez-Placer

296-319
- PDF
Cabeza de Vaca, Estebanico, and the Language of Diversity in Laila Lalami’s The Moor’s Account

Zbigniew Maszewski

320-331
- PDF
“A past that has never been present”: The Literary Experience of Childhood and Nostalgia

Niklas Salmose

332-351
- PDF
Mexican Village: Josefina Niggli’s Border Crossing Narrative

Jadwiga Maszewska

352-364
- PDF
“The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography

David Allen, Agata Handley

365-385
- PDF
The Catch of the Hyperreal: Yossarian and the Ideological Vicissitudes of Hyperreality

Abdolali Yazdizadeh

386-410
- PDF
Timothy Findley, His Biographers, and The Piano Man’s Daughter

Sherrill Grace

413-430
- PDF
Transvestite M(other) in the Canadian North: Isobel Gunn by Audrey Thomas

Dorota Filipczak

431-440
- PDF

Other

Reviews and Interviews

Anna Warso, Wit Pietrzak, Katarzyna Ojrzyńska, Jan Jędrzejewski, Jadwiga Uchman

443-461
- PDF

No. 8 (2018): Engaging Ireland / American & Canadian Studies

Full Issue

Articles

Post-revisionism: Conflict (Ir)resolution and the Limits of Ambivalence in Kevin McCarthy’s Peeler

“No Country for Old Men”? The Question of George Moore’s Place in the Early Twentieth-Century Literature of Ireland

Recessive Action in Colm Tóibín’s "Brooklyn"

Masculinities, History and Cultural Space: Queer Emancipative Thought in Jamie O’Neill’s At Swim, Two Boys

Michael Longley and Birds

“Soldier Dolls, Little Adulteresses, Poor Scapegoats, Betraying Sisters and Perfect Meat”: The Gender of the Early Phase of the Troubles and the Politics of Punishments against Women in Contemporary Irish Poetry

Death of the Soldier and Immortality of War in Frank Ormsby’s A "Northern Spring"

Blindness in the Beckettland of Malfunctioning

Defying Maintenance Mimesis: The Case of Somewhere over the Balcony by Charabanc Theatre Company

“The Heart of this People is in its right place”: The American Press and Private Charity in the United States during the Irish Famine

The Conflicting Traditions of Portraying the Jewish People in the Chester Mystery Cycle

The Whittrick Play of No Nothing: Alan Spence, Edwin Morgan, and Indra’s Net

Boundaries and Otherness in Science Fiction: We Cannot Escape the Human Condition

Art (and) Criticism: Hart Crane and David Siqueiros

The First Constitutional Government of the Minnesota Anishinaabeg

Oppressive Faces of Whiteness in Walter Mosley’s Devil in a Blue Dress

The New Sentence: June Jordan and the Politics of Parataxis

Outside the Magic Circle of White Male Supremacy in the Jim Crow South: Virginia Foster Durr’s Memoirs

Cabeza de Vaca, Estebanico, and the Language of Diversity in Laila Lalami’s The Moor’s Account

“A past that has never been present”: The Literary Experience of Childhood and Nostalgia

Mexican Village: Josefina Niggli’s Border Crossing Narrative

“The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography

The Catch of the Hyperreal: Yossarian and the Ideological Vicissitudes of Hyperreality

Timothy Findley, His Biographers, and The Piano Man’s Daughter

Transvestite M(other) in the Canadian North: Isobel Gunn by Audrey Thomas

Other

Reviews and Interviews

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