Unearthly Nature: The Strangeness of Arbospaces in Thomas Hardy’s The Woodlanders

Zofia Pigoń

doi:10.18778/2083-2931.14.25

Authors

Zofia Pigoń University of Wrocław

DOI:

https://doi.org/10.18778/2083-2931.14.25

Keywords:

Thomas Hardy, The Woodlanders, supernatural, trees, ecocriticism, arbospaces

Abstract

Commonly acknowledged as one of Thomas Hardy’s most environmentally-conscious literary accomplishments, The Woodlanders (1887) provides fertile ground for a stimulating and topical ecocritical debate. The intricate correlation between the natural and the human—indicated by the very title—undergirds the structure of the text and creates unique narrative collisions while simultaneously propelling the development of the plot. The multiple references to the sphere of the paranormal—realized in the passages pertaining to local lore and, most significantly, in the descriptions of the setting—reflect the conflation of superstition and uncanniness, which adds otherworldly overtones to the novel. The article analyzes these qualities insofar as they shape the portrayed landscape—specifically, the woodscape—as a realm whose essence continually balances between the fantastical and the real. It also examines how the natural and human elements are reciprocally subsumed by means of anthropomorphic language and how this occurrence can be interpreted through the lens of intertextuality. By focusing on these rather antithetical concepts, I wish to demonstrate how the boundaries between them are elided, thus preserving an aura of ambivalence that pervades the novel.

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Author Biography

Zofia Pigoń, University of Wrocław

Zofia Pigoń is a double graduate of the Master’s studies at the University of Wrocław. In 2022, she received a Master’s degree in French philology, with her thesis focused on the theme of longing in the letters of Madame de Sévigné. She took part in the Erasmus programme at the University of Lille in 2021 and at the University of Le Mans in 2023. In 2024, she defended her English Master’s thesis whose subject concerned the cruelty of nature in the selected works of Thomas Hardy (these being The Woodlanders, The Return of the Native and Two on a Tower). Her interests centre around 19^th-century English literature, particularly its depiction of nature, folklore and the supernatural.

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