Radiant Futures: Utopian Art as a Phenomenology of Home-Seeking

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DOI:

https://doi.org/10.18778/2083-2931.14.14
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Keywords:

utopia, phenomenology, literature, imagination, hermeneutics, narrative

Abstract

This essay examines the imaginative potential of utopian art. Utopian art is more than a representation of a possible future, it calls upon our imaginations to pull us into the act of home-coming itself. Following Heidegger, we depart from the idea that phenomenology is concerned with the imagination as an essential part of being-human. This essay leans on insights from Fredric Jameson’s phenomenological exploration of potential futures via the imagination as the means through which we experience utopia in our daily lives. This theorization is grounded in an analysis of Susan Sontag’s novel In America as demonstrating the utopian curves of consciousness as it is experienced phenomenologically in lived time. This novel lends credence to the idea that one purpose (among many) of utopian thinking is to find dreams worth reaching for; and in this reaching we find ourselves coming-home.

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Author Biography

Jordan Huston, Loyola University Chicago

Jordan Huston received his master’s degree in social work from Loyola University Chicago. Prior to that, he earned a master’s degree in philosophy at the New School for Social Research. His research interests explore hermeneutics, psychoanalysis, and critical theories of society. These interests inform his clinical practice as an inpatient psychiatric social worker. His academic engagements have led to his becoming a junior scholar with the International Institute for Hermeneutics.

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Published

2024-11-28 — Updated on 2025-01-02

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How to Cite

Huston, J. (2025). Radiant Futures: Utopian Art as a Phenomenology of Home-Seeking. Text Matters: A Journal of Literature, Theory and Culture, (14), 232–247. https://doi.org/10.18778/2083-2931.14.14 (Original work published November 28, 2024)

Issue

No. 14 (2024): Dwelling and Belonging

Section

Articles

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Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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