The Semiotics Of Writing: The Novels By Dževad Karahasan

Autor

  • Dijana Hadžizukić Univerzitet „Džemal Bijedić“ Mostar, Fakultet humanističkih nauka

DOI:

https://doi.org/10.18778/2544-1795.01.06

Słowa kluczowe:

Dževad Karahasan, The Eastern Diwan, Shahriar’s Ring, What the Ashes Tell, writing, scribing, thematisation, frame

Abstrakt

This paper will analyze Dzevad Karahasan’s novels The Eastern Diwan,Shahriar’s Ring and What the Ashes Tell, and it will do so by exploring thematisation and frames, authorship and manuscripts. In that context it is important to analyze the structural position of the authorwithin the text of the novel,his position inside the fi ctional society built within the plot, and to explore the themes and motifs of texts, scripts, writings and their overall importance, but also the meaning of the text to its fi nal recipient, the reader. The notion of writing is here considered in the sense of the Barthean term of scribing, and not only by hand, but by any other form of writing, copying, authorship and rewriting. The protagonists of Karahasan’s novels act as people who write, so the sole act of writing is made into a fundamental motif of the novel.

Bibliografia

Karahasan Dz. (2007), Istočni diwan, Sarajevo.
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Karahasan Dz. (2007), Šahrijarov prsten, Sarajevo.
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Karahasan Dz. (2007), Noćno vijeće, Sarajevo.
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Karahasan Dz. (2012), Sjeme smrti, Sarajevo.
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Karahasan Dz. (2014), Utjeha noćnog neba, Zagreb.
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Karahasan Dz. (2015), Što pepeo priča, Sarajevo.
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Bart R. (2010), Zadovoljstvo u tekstu čemu prethode Varijacije o pismu, Beograd.
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Hajjam O. (2009), Rubaije, Beograd.
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Karahasan Dz. (2004), Knjiga vrtova, Sarajevo.
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Lachmann R. (2002), Phantasia / Memoria / Rhetorica, Zagreb.
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Tamimdari A. (2004), Istorija persijske književnosti: škole, razdoblja, stilovi i književne vrste, Beograd.
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Opublikowane

2017-11-14

Jak cytować

Hadžizukić, D. (2017). The Semiotics Of Writing: The Novels By Dževad Karahasan. Slavica Lodziensia, 1, 63–75. https://doi.org/10.18778/2544-1795.01.06

Numer

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Articles