The poetics of the drama of Natalia Moshina
DOI:
https://doi.org/10.18778/1427-9681.08.21Keywords:
new drama, Natalia Moshina, plot, montage, cognitive dissonanceAbstract
The paper surveys the work of the Russian playwright, author of nine dramas, written in 2004–2011 and not subjected to research yet. Two of the plays (A Triangle and Under Heavens) are analysed and also compared with others. This makes possible the conclusion that the modern drama is characterized not only by breaking off with the experience of the predecessors, manifest in post-modernist provocations of „the new drama”. Natalia Moshina is presented as a talented playwright developing the potential of the intellectual, epic drama of the 20th century within the paradigm of the latest non-classical poetics.
Downloads
References
Головчинер В. Е., Эпическая драма в русской литературе ХХ века, Томск 2002 и 2007.
Google Scholar
Мошина Н., Треугольник, «Современная драматургия» 2005, № 2.
Google Scholar
Мошина Н., Под небесами, «Современная драматургия» 2009, № 2.
Google Scholar
Мошина Н., Под небесами, «Современная драматургия» 2009, № 2. Пропп В. Я., Морфология <волшебной> сказки. Исторические корни волшебной сказки. (Собрание трудов В. Я. Проппа), комментарии Е. Мелетинского, А. В. Рафаевой. Составление, научная редакция, текстологический комментарий В. И. Пешкова, Москва 1998.
Google Scholar
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
