Vol. 11 (2023)

View Vol. 11 (2023)

edited by Łukasz Szkopiński, Soledad Llano Berini, Agnieszka Woch

Published: 2023-11-08

Full Issue

Articles

  • En la orilla by Rafael Chirbes: from corruption to squandering

    Marina Lesouef
    1-8
    DOI: https://doi.org/10.18778/2392-0718.11.01

  • Madeleine Férat or “la mémoire dans la peau”: impregnation as a memorial process in the naturalist novel

    Katherine Rondou
    9-22
    DOI: https://doi.org/10.18778/2392-0718.11.02

  • The misery and splendour of the "chikha". Art as consecration in "Rue du pardon" by Mahi Binebine

    Mohamed Semlali
    23-38
    DOI: https://doi.org/10.18778/2392-0718.11.03

  • Spanish as a heritage language in mixed language classes. Challenges for teaching

    Verónica Sánchez Abchi, Alejandra Menti
    39-50
    DOI: https://doi.org/10.18778/2392-0718.11.04

  • The night: making and staging fantasies in Fernand Crommelynck’s "Le Cocu magnifique"

    Françoise Bombard
    51-60
    DOI: https://doi.org/10.18778/2392-0718.11.05

  • The states of kitsch in “Swann in love” by Marcel Proust and “The things” by Georges Perec

    Axel Richard Eba
    61-73
    DOI: https://doi.org/10.18778/2392-0718.11.06

  • Francesco Petrarca: a work, a novel

    Mario Ciusa
    74-83
    DOI: https://doi.org/10.18778/2392-0718.11.07

  • Éric-Emmanuel Schmitt and the “cycle de l’invisible”: for a poetic re-inhabitation of the world

    Jules Thérence Mihindou Mi-Moubamba
    84-96
    DOI: https://doi.org/10.18778/2392-0718.11.08

  • A future world, a potential world. The perspective of animals on humanity in Demain les chats by Bernard Werber

    Ewa Drab
    97-106
    DOI: https://doi.org/10.18778/2392-0718.11.09

  • The violated body, the released body: self-destruction and catharsis in La Muñeca menor by Rosario Ferré

    Giovanna Giacchino
    107-117
    DOI: https://doi.org/10.18778/2392-0718.11.10

  • Stylistic approach to poetic enunciation in Symphonie musicale: pour une poévie de la Vie by Jean-Baptiste Fondjo

    Kangah Emmanuel Ettien
    118-129
    DOI: https://doi.org/10.18778/2392-0718.11.11

  • The city as a place of memory: representations of the city of Bruges in “Bruges-la-Morte” (1892) and “Le Carillonneur” (1897) by Georges Rodenbach

    Elena Dineva
    130-141
    DOI: https://doi.org/10.18778/2392-0718.11.12

Books Review