Introduction aux rapports entre photographie et peinture chez Francis Bacon selon Deleuze (dans Logique de la Ssensation)
DOI:
https://doi.org/10.18778/1689-4286.53.03Słowa kluczowe:
art, painting/photography, Deleuze, sensation, representationAbstrakt
The aim of this article is to present a concise summary and review about the theses of Deleuze on the relations between painting and photography but also about his account of Bacon through the prism of this question in his book Francis Bacon : Logique de la sensation. This article could only be seen as an introduction and perhaps an invitation to read deeper studies about the important and numerous links between Deleuze's philosophy and art.
Bibliografia
Deleuze, G., (1968). Différence et répétition, Paris: PUF (Presses Universitaires de France)
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Deleuze, G., (2002). Francis Bacon Logique de la sensation. Paris: Seuil
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Russell, J., (1994). Francis Bacon, Paris: Thames & Hudson
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