Resisting the Oppressive Paternal Metaphor of God in Michèle Roberts’s "Impossible Saints"

Authors

DOI:

https://doi.org/10.18778/2353-6098.6.11

Keywords:

Michèle Roberts, feminism, religion, Catholic Church, Julia Kristeva, Jacques Lacan

Abstract

The protagonist of Michèle Roberts’s Impossible Saints, Josephine, establishes a nonconformist convent for women who seek communion with God by following an unorthodox path of sensual spirituality. Impossible Saints intersperses Josephine’s story with a number of miniature narratives depicting fictional lives of saints, rewritten in a feminist manner, portraying both the female predicament in the patriarchally structured society and women’s struggle for empowerment in which they rebel against masculinist conventions. The article employs feminist thought, derived mainly from Julia Kristeva, to examine the way in which Roberts problematizes the relation of the Catholic Church to the position of women as well its concern with the human body. The bodily dimension of the divine, as proposed by Luce Irigaray, manifesting in the emancipatory communal experience of women in Josephine’s convent, greatly contrasts with the Catholic regulatory character of religiosity. The analysis also situates the patriarchal institution of the Church in the context of the Lacanian order of the symbolic and his notion of the Name-of-the-Father. It culminates in exploring the issue of the metaphor of God as seen through the traditional patriarchal frame which pictures God as masculine.

Author Biography

Tomasz Dobrogoszcz, University of Łódź

Tomasz Dobrogoszcz is an associate professor at the Department of British Literature and Culture, University of Lodz, teaching courses and seminars in British literature and literary translation. His main fields of research include contemporary British and postcolonial literature, poststructuralist and psychoanalytical literary theory, contemporary film and culture studies. He has published articles on such writers as Julian Barnes, Ian McEwan, Michel Faber, Kazuo Ishiguro, Salman Rushdie, Ali Smith and Jeanette Winterson. He is the editor of Nobody Expects the Spanish Inquisition: Cultural Contexts in Monty Python (Rowman and Littlefield, 2014). He also published a monograph Family and Relationships in Ian McEwan’s Fiction (Lexington Press, 2018). He is the co-editor of Reading Graham Swift (Lexington Press, 2020). He translated into Polish a seminal work in postcolonial theory, The Location of Culture by Homi K. Bhabha, as well as many other critical and literary texts, for instance by Hayden White and Dipesh Chakrabarty. 

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Published

2022-07-14

How to Cite

Dobrogoszcz, T. (2022). Resisting the Oppressive Paternal Metaphor of God in Michèle Roberts’s "Impossible Saints". Analyses/Rereadings/Theories:/A/Journal/Devoted/to/Literature,/Film/and/Theatre, 6(2), 43–51. https://doi.org/10.18778/2353-6098.6.11

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