Stępień J. Transgression of Postindustrial Dissonance and Excess: (Re)valuation of Gothicism in Jim Jarmusch’s Only Lovers Left Alive. TM [Internet]. 2016 Nov. 23 [cited 2024 May 5];(6):213-26. Available from: https://czasopisma.uni.lodz.pl/textmatters/article/view/6969