STĘPIEŃ, . J. Transgression of Postindustrial Dissonance and Excess: (Re)valuation of Gothicism in Jim Jarmusch’s Only Lovers Left Alive. Text Matters: A Journal of Literature, Theory and Culture, [S. l.], n. 6, p. 213–226, 2016. DOI: 10.1515/texmat-2016-0013. Disponível em: https://czasopisma.uni.lodz.pl/textmatters/article/view/6969. Acesso em: 6 may. 2024.