OJRZYŃSKA, . K. One, Mad Hornpipe: Dance as a Tool of Subversion in Brian Friel’s Molly Sweeney. Text Matters: A Journal of Literature, Theory and Culture, [S. l.], n. 1, p. 254–269, 2011. DOI: 10.2478/v10231-011-0019-2. Disponível em: https://czasopisma.uni.lodz.pl/textmatters/article/view/6487. Acesso em: 3 may. 2024.