DOBROGOSZCZ, Tomasz. From Kitsch and Carnivalesque to Cultural Appropriations: Liminal Representations of Post-Apartheid White Identity in Die Antwoord’s Music Videos. Text Matters: A Journal of Literature, Theory and Culture, [S. l.], n. 14, p. 397–411, 2025. DOI: 10.18778/2083-2931.14.23. Disponível em: https://czasopisma.uni.lodz.pl/textmatters/article/view/24212. Acesso em: 1 feb. 2025.