[1]
Stępień, .J. 2016. Transgression of Postindustrial Dissonance and Excess: (Re)valuation of Gothicism in Jim Jarmusch’s Only Lovers Left Alive. Text Matters: A Journal of Literature, Theory and Culture. 6 (Nov. 2016), 213–226. DOI:https://doi.org/10.1515/texmat-2016-0013.