Dobrogoszcz, T. 2024. From Kitsch and Carnivalesque to Cultural Appropriations: Liminal Representations of Post-Apartheid White Identity in Die Antwoord’s Music Videos. Text Matters: A Journal of Literature, Theory and Culture. 14 (Nov. 2024), 397–411. DOI:https://doi.org/10.18778/2083-2931.14.23.