@article{Kuczyńska-Koschany_2018, title={Georges Didi-Huberman, Écorces, and Otto Dov Kulka, Landscapes of the Metropolis of Death – as Lager essays? Imagination and remembrance of the title formulations in relation to the formulation “anus mundi”}, volume={46}, url={https://czasopisma.uni.lodz.pl/polonica/article/view/3052}, DOI={10.18778/1505-9057.46.12}, abstractNote={<p><span style="font-family: Calibri;"><span style="font-size: medium;">The article is an attempt at interpretation of two essays, which may be called „</span><span style="font-size: medium;">Lager</span><span style="font-size: medium;">”</span><span style="font-size: medium;"> essays. These are </span><em><span style="font-size: medium;">Écorces </span></em><span style="font-size: medium;">written by G. Didi-Huberman and </span><em><span style="font-size: medium;">Landscapes of the Metropolis of Death </span></em><span style="font-size: medium;">written by O.D. Kulka, their books are deeply related as the negation or at least as the questioning of the title of autobiographical book </span><em><span style="font-size: medium;">Anus mundi </span></em><span style="font-size: medium;">written by W. Kielar. Both authors do not describe Nazi concentration camp as </span><span style="font-size: medium;">„</span><span style="font-size: medium;">the anus of the world</span><span style="font-size: medium;">”</span><span style="font-size: medium;">. Their imagination is a post-imagination, their memory is a post-memory. In her paper Kuczyńska-Koschany considers the condition of the essay as quasi-genre after the Holocaust, after the genocide and in reference to the experience of a Lager.</span></span></p>}, number={8}, journal={Acta Universitatis Lodziensis. Folia Litteraria Polonica}, author={Kuczyńska-Koschany, Katarzyna}, year={2018}, month={maj}, pages={231–241} }